I tried using blue again, i like it better when it comes to these types of drawings (eyes, trees, buildings) but i will definitely be using black for creature and animal drawings. Let me know what you think, comment any tips for improvements, or even just to say what you do like about it; feedback is welcome on all my art.
So thankful for this experience that I shared with my class today. For the last 3 spring semesters, I’ve had the opportunity to take my KCAI Cultural Safari senior sketchbook class to draw from donor cadavers. Every year I am reminded of how amazing and intricate the human body is. I am also humbled by the generosity of the donors giving their remains to train young physicians. The conversations that result from these encounters always prove to be enlightening and inspirational. These are a few of my drawings I made.
Sorry about the lighting, but it’s still pretty clear. I decided against the rope in its mouth. I despise colored pencils and don’t really like how they look on most drawings. So I just tried to finish this as fast as I could.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
