The reference for this painting was a quick snap I took at the roadside on a trip up to Angelsey. Didn't really manage to capture the scale or the atmosphere.
A teaser for the new pizzeria and animatronics. The restaurant is called "Zero Days Until the Party", or more commonly referred to as "Zero Days" or "Zeros". This restaurant will have less animatronics, with a slightly different looks than Ringmaster's Altitone band. Mostly just the addition of eyes. I'll reveal which animatronics have been encluded in this pizzeria another day. Drawn with FireAlpaca.
Happy Thanksgiving, everyone! Here are five of the shorter animatronics, which take up the main stage! There are three sections of the stage, like the Rock-afire Explosion's original stage! The animatronics are all different animals, like usual. They even have different teeth! The first animatronic's name is Preistor, and he's the blue rabbit. He plays guitar. Then we have Elizabeth, a hot-pink cat, and she's the female singer. Then we have Altor, a yellow bear. He plays the drums. Then we've got Bruce, a green mouse, who's the male singer. Finally, we have Lexibo, a purple elephant. She plays the piano. They were created by Jester (Dellusion was created by Jester, too) for entertainment. Unlike FNaF, there are no dead kids possesing these guys. At least, none relating with Jester and his crew. Actually, they're vessels for lost spirits! They've been specifically engineered for lost souls to posses them. However, in the day, they act wonderfully for entertainment. Don't be frightened by the absence of eyes! They're always watching with those little cameras in their mouths. These guys, including Jester and Dellusion, were inspired by the funtime animatronics from FNaF SL. Drawn with FireAlpaca. More are coming!
Every year my uncle asks for hand-made gifts about his "awesomeness". I whipped up a quick homage to our family tradition of playing super complicated games that inevitably end up in rule debates and many beers/wine. :)
This quick sketch of an impressionist painting is a reminder to me of how we cannot see anything until we are taught to see it. I was enjoying the painting because of the way Tarbell captured light, when a man and his wife joined me. The man said to his wife: "This is a wonderful painting, but I wonder whose lap the baby is on.". I was shocked because I was not able to see the baby till he mentioned that there was one. I noticed that it was indeed difficult to tell whose lap it was on. It was a transformative and humbling experience.
