The Gloomy Mood of Ah Mei on a Sunny Day from Dialogues in Paradise by Can Xue.
Da-Gou is playing with firecrackers at the other side of the yard. He inserts one into a hole in the tree and sticks out his big hips as he bends over to light it. His bottom is huge, like his father's.
"Hey," I call. "Are you crazy? Can't you stop shooting those things?"
https://www.instagram.com/p/CiLF34POeB-/?utm_source=ig_web_copy_link
I’m back! The game company I work for hit some turbulence and laid off half the studio. I’m still there but it took a while to adjust. Getting back to my own work now.
This was drawn with my Sailor King of Pen (M). What a pen! My Royal Tangerine 1911s is to the left for size comparison.
So thankful for this experience that I shared with my class today. For the last 3 spring semesters, I’ve had the opportunity to take my KCAI Cultural Safari senior sketchbook class to draw from donor cadavers. Every year I am reminded of how amazing and intricate the human body is. I am also humbled by the generosity of the donors giving their remains to train young physicians. The conversations that result from these encounters always prove to be enlightening and inspirational. These are a few of my drawings I made.
This one is made up of leftover sketches from the Inktober sessions last year. I liked some of the characters, so I thought it was a shame not to give them their own scene.
I used a Sakura fine brush pen which was great fun to draw with and adds a new depth to the line work.
This follows on from an earlier drawing. The guy with the parachute has now landed in this crazy manic restaurant.
The third book in the "Little People, Big Dreams" series is about Frida Kahlo. I have to say, I had the most fun illustrating with this book cover. Beautiful color pop and written by the fabulous @mariaisabelsanchezvegara
Essentially what this "Secret Sketchbook" project is, is a sketchbook that I use for my Patreon, that I make doodles in for my patrons, then once I have enough pages, I make it into a zine! I'm currently in the process of getting the very first secret sketchbook printed now, and starting on the second one which will be more exclusive until it's complete!
My favorite time of year is almost here. The cool breezy air, the colors and smells. The sounds of the last crickets, the mood of the sky. I could go on and on. This was A fun piece to work on. What will the next challenge bring?
This guy's running up like "Hey man, you know... If you're not going to use that computer I'll take it because you know... You don't have to throw it to those robots, man. You know?" Just like that.
What happens when Jimmy is reading Ezekiel in the morning then discovering @themarcuskingband and @billystrings and doodling on the same day? There is no logical reason to throw all this randomness together in one drawing. This stream of consciousness improv drawing can get weird at times. All I can say is if you were in my head 24/7 it would all make perfect sense. I have become comfortably weird.
The scientists from the Ministery of Propaganda opted for the gro-moth, a sizeable butterfly, and managed to make a permanent genetic print of the president’s features on its wide wings.
(2B pencil on a 140mm x 88mm postcard) The reliance on devices seeing the rise of mindless techzeds (tech zombies). Dead, but kept alive by those same devices they couldn't live without as a warning to others.
Overview:
The title of this piece is directly inspired by the lyrics of the song "Rabbit In Your Headlights" by UNKLE. I liked the fact that I shook the static sensation of this shot using some vibrant colours and decoration. The subjects seems to be frozen in time, waiting for someone that will save them.