Pressurized Patience
16x20 canvas
sealed interior, a distant promise, and time marked in scratches and routines.
Pressurized Patience explores endurance, isolation, and the quiet humor found while waiting under pressure.
Botanical Hawk Design I drew for my former junior college alumni banquet. They had it printed on a giant canvas for people to color. It started out as a small doodle and transpired into something else. ha ha. Made this with Sakura Micron Ink ( 01 and 005) on Bristol with Digital Editing to finish.
A geometrically stylized Doe and fawn illustration intended for the purposes of a greeting card. Materials used: Water soluble colored pencil, graphite pencil
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
This piece critiques the modern tendency to hide identity behind brands and consumerism.
* Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze.
* Symbolism:
* The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed.
* The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly
"seeing" the individual, while simultaneously restricting the individual's full sight of the world.
Another pencil drawing from 2014. I had a long break from drawing and painting between 1994 and 2013. The arts teacher of my high school made me feel like shit and i decided to quit painting. At 36 years old I realized I missed it and started again by buying a set of pencils as a birthday gift to myself.
