This is the beginning of a piece I did earlier this year. I wanted to show the progression of graphite to ink. The next picture I post will be showing the rest of the ink and completion of this piece.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
Some works were born to be prodigious. Once the preliminary lines were laid within the first minute, the quality of the shapes, the diagonal composition and the weight were balanced out.
With the black mass as the hood, a face, hidden underneath, is unveiled. With the addition of the black fingers and the white hand, the full figure surfaced naturally.
The black fingers are the minimal suggestions to add character. The title `Remorse’ came about because of the bowed head and the pose.
utube clip: https://youtu.be/mb48rCx-lYI
A 3-eyed creature I've been designing. The lower drawings the designs I'm leaning more towards. I was messing around with colors a bit, and they're the ones with the color pallet I'm leaning more towards.
OK, I'm not saying it's mind-blowingly good. Rather, I want to allude to how this picture came about: I painted it with a hammer! You can find the complete creation process on my blog at https://christiandrab.de.
