I think they had a disagreement...
(my friends and I like to challenge each other to draw random little scenarios like this...try it, it's pretty fun!)
I wanted it to look like the chalkboard menus in quirky cafes. I drew the image with a Blackwing pencil, scanned it into Photoshop, inverted, then applied the colors.
So I did one of these with a couple of friends over on dA, where we each sketch something then ink the lines of someone else, and digitally colour the third, and as they both chose to draw their characters I scrapped the squid-creature idea to jump on the bandwagon as well! I need no excuses to draw Verus
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
Geometric pen drawing detailed with stippling. What started out as a simple mountain doodle turned out to be a bit more chaotic than I'd anticipated but I like the end result!
My take on Nanachi, Riko, and Reg in the Goblet of Giants from the show "Made in Abyss." Several reference photos were used. Copic markers on 150lb illustration paper.
Here's a traditional art sketch card, produced on a 4 X 5 inch blank licensed card. The cut lines are set at 2.5 X 2.3 standard trading card size. Artwork is Copic marker and Prismacolor colored pencil. This card was created as a random insert for the 2018 Rittenhouse Archives Star Trek Captains collection Card series. This card features my favorite Star Trek bad guy Harcourt Fenton Mudd or Harry Mudd. See more at Sketchcardsandcovers.com
Drawn with papermate inkjoy gel pens. For custom commissions reach out to art.by.alisonlove@gmail.com, and check out my facebook page (facebook.com/artbyalisonlove) and society6 shop (society6.com/artbyalisonlove
I was assigned in art class to draw/paint/whatever something to do with reset... at first I, just like everyone else, pictured a reset button. After some thinking though, I remembered how each time my family moved from state to state, it was like I had a reset button, a fresh new start. Also, haha fun fact, the random sharpie lines were a result from listening to fast pace rock.
