In my Blue Star sketchbook serious art has been interrupted by two cartoon characters I came up with years ago that I drew for my university student newspaper. They're back! Adolescent silliness returns with the adventures of Hardball and Riley. There's a bit of allegory at work in this story, so it's not as infantile as it first seems. They are certainly fun and my main characters are very easy to draw. I do sometimes spend too much time on the background.
I so enjoyed the inktober and now I am going to do whatever whatever for awhile. I grabbed a sketchbook off my shelf. The paper is thin and rough - bad for ink, but so nice for pencil. Will try to switch the gears now and go with a different feeling.
Let's ouroboros together.
https://www.instagram.com/p/CVvp-ZkrX2I/?utm_source=ig_web_copy_link
A friend's children painted a canvas I gave them and I painted them into it. The fun messy doodle background is 90% theirs. I added a few streams to pop out some of the shapes they painted. I might do this as a series.
Another work created in Lockdown in Berlin. Drawn on a piece of drafting paper from an ingenieering student in Leipzig, 1923. Like the cellar it was found in, it expresses a longing to be outside. A longing to feel of use, a job to go to or someone to visit. It is confusion and patience drawn out thin and ready to snap at any moment.
Pen on lined paper, I liked the aesthetic of this, what would normally be writing by pen familiarly associated with this lined paper, is instead a loosely sketched portrait.
I actually wanted to draw this on Paper but I eventually gave up and drew it digitally (I will be doing the next drawing prompts on paper to be skilled at drawing traditionally) Its a fish burger monster with tartar sauce and olive eyes.
I have no mouth and I must scream! ink, watercolour, gouache and gold leaf on paper, 75x50cm, 2020, POA. Another artwork created in lockdown. A reflection of and introspection into thoughts and feeling of living during a pandemic.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
