My mind is on Puna so much lately. I love Hawaii...was born there and rediscovered it as an adult. I stay in Puna area when I go, in little houses I rent, or once, housesitting for a friend. This drawing was made one day when Mom and Dad and I went to Pohoiki to sketch. This little cottage and park is in the path of the flow and may already be gone. You can no longer drive there as the roads have been cut off by the lava flow. My heart goes out to all Hawaii residents dealing with this massive lava flow, and the VOG that goes with it.
There might be a few weird reflections in this as I had to take a pic of it on my screen to get a file large enough....I gave the original to a friend who lives near the park.
My friend and I are trying to nail down a tattoo idea for her that involves witchcraft and weight lifting. (Note: the final picture was supposed to be two different ones, but appears to be repeating itself. This happens to me sometimes. Not sure how to fix it.)
Ink straight on Paper. Haven't drawn letters in a while, so there's more to come :) There's a short progress video on my Instagram if you are into stop motion magic fill ins haha
Sunday morning, more than a decade ago.
Music, fellowship, and reports about what God was doing here and there.
Some things are worth remembering. We learn from looking back—
but we must live forward.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
Watercolour painting of a Prickly Hakea. I started drawing different plants last month from the area where I live. This month I am turning them into watercolours, with the Hakea being one of the first.
My first attempt at a concertina birthday card. While simple to make, it can be a bit fiddly and getting the proportions and placement of objects right for each layer is important so that everything can be seen once the layers are overlapped. It reminds me of printing processes, where each layer is gradually added. It was quite an enjoyable process.
What happens in your life that causes you to be surprised? I have a friend who told me that no one is blind-sided. I also have a friend who tells me: 'The greatest lies we tell are the ones we tell ourselves'. It is easy to filter in a certain kind of lie that support these ideologies. I have a very valued friend who tells me that we live in an upside-down world. What is real? What is upside-down? Draw what you see. draw what you know. Be authentic. Peace.
This quick sketch of an impressionist painting is a reminder to me of how we cannot see anything until we are taught to see it. I was enjoying the painting because of the way Tarbell captured light, when a man and his wife joined me. The man said to his wife: "This is a wonderful painting, but I wonder whose lap the baby is on.". I was shocked because I was not able to see the baby till he mentioned that there was one. I noticed that it was indeed difficult to tell whose lap it was on. It was a transformative and humbling experience.
Many people walk past plants either without noticing them or with just a glance. For the Walmajarri people in the Kimberley region of Western Australia, and many other Indigenous groups, plants provide a source of food and medicine. These outlines are of plants that are used by Walmajarri people as either food or medicine. For most people they remain a mystery, hence the outline only.
The monochromatic weekly challenge inspired me to do an eye study. I've been having a bit of a composition block and thinking about starting to sell at art fairs, so my thoughts are preoccupied. I wanted to keep practicing tho. Lemme know what you think. I used pencils, smudges, and liquify in Rebelle 6. This is not AI nor is any part of this AI.
Yet another senseless lynching that has me here with a broken heart. Like my other paintings on this subject, I wanted to focus on life. Tyre was dynamic and energetic, so I wanted to paint him soring. I also wanted to paint him defiant in the face of his oppressors. He was a skater, and they are no strangers to defiance. Thankfully, I found some excellent references to help me with the composition. Aesthetically, I wanted the comp to be modern, colorful, and hopefully impactful. I went for a pop art, illustration, and false-color vibe and minimized blending and refining layer edges. I painted this in Rebelle 6 and Photoshop. Much respect.
Felt inspired by this week's drawing prompt. Went with a Star Trek scene. Earth Spacedock from the movies always leaves me in awe. Tried to show it with its doors opening so you could see there is an inside. The starship's scale and perspective are off, but that is meh.
Lords of War - otep
With confidence in our armed forces, with the unbounding determination of our people, we will gain the inevitable triumph. So help us, God
More wars on foreign shores
More names for us to mourn
To misguide the misinformed
To ignore the sick and poor
Thus, we praise the lords of war
On our knees and beg for more
A fresh poison for the weak
Filthy little beasts
Bred to conform
It's the dwarfed souls of greedy men
Feculent, arrogant
That shackles our young to the cold concrete
And empty their guns into bodies
They scream "I'm not guilty"
They scream "I'm not guilty"
But cowards here are only what they fear
Shoot until the threat stops
I'd rather be in battle than at peace
I'd rather be a wolf than a sheep
I'd rather be in battle than slaughtered like cattle
The weak can sleep while
You were born to be led
That's what religion says
With a bifurcated tongue
America eats its young
Bullet-toothed, empty gods
Paralyze the minds and contest the thoughts
With devils everywhere
Bombs bursting in the air
Drones flown over thrones
Of bone and brimstone
Sabers rattle in the homes
Of the cowards and the crones
As they shackle our young
Blood stains the streets
Pigs empty their guns in their bodies
Bow down to the lords of war
On your knees for the lords of war
Bow down to the lords of war
On your knees for the lords of war
We rise in defiance
We won't remain silent
To triumph over tyrants
And police violence
Shoot until the threat stop
We're not guilty
Help us God
The lords of war
On your knees for the lords of war
Bow down to the lords of war
What is so terrible about a child screaming?
Why should it disturb us?
Just because we happen to be there to hear it?
What about the child who comes from an inadequate home, where he gets no encouragement from his parents
Where he doesn't have enough to wear, he doesn't have enough to eat, he comes to school hungry...
This beautiful, breathtaking #embracingnightmares
A quiet moment before escape.
Time is counted, tools are gathered, and the destination is already marked.
The treasure isn’t taken yet—not because it’s unknown, but because patience is part of the journey.
This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.
Hey Boos! It's me Peekaboo! This drawing was made by a lasso tool (some parts arent lasso tool for design purposes) and the day before yesterday I got surgery on my arm so I get to skip out on PE!
