Lords of War - otep
With confidence in our armed forces, with the unbounding determination of our people, we will gain the inevitable triumph. So help us, God
More wars on foreign shores
More names for us to mourn
To misguide the misinformed
To ignore the sick and poor
Thus, we praise the lords of war
On our knees and beg for more
A fresh poison for the weak
Filthy little beasts
Bred to conform
It's the dwarfed souls of greedy men
Feculent, arrogant
That shackles our young to the cold concrete
And empty their guns into bodies
They scream "I'm not guilty"
They scream "I'm not guilty"
But cowards here are only what they fear
Shoot until the threat stops
I'd rather be in battle than at peace
I'd rather be a wolf than a sheep
I'd rather be in battle than slaughtered like cattle
The weak can sleep while
You were born to be led
That's what religion says
With a bifurcated tongue
America eats its young
Bullet-toothed, empty gods
Paralyze the minds and contest the thoughts
With devils everywhere
Bombs bursting in the air
Drones flown over thrones
Of bone and brimstone
Sabers rattle in the homes
Of the cowards and the crones
As they shackle our young
Blood stains the streets
Pigs empty their guns in their bodies
Bow down to the lords of war
On your knees for the lords of war
Bow down to the lords of war
On your knees for the lords of war
We rise in defiance
We won't remain silent
To triumph over tyrants
And police violence
Shoot until the threat stop
We're not guilty
Help us God
The lords of war
On your knees for the lords of war
Bow down to the lords of war
What is so terrible about a child screaming?
Why should it disturb us?
Just because we happen to be there to hear it?
What about the child who comes from an inadequate home, where he gets no encouragement from his parents
Where he doesn't have enough to wear, he doesn't have enough to eat, he comes to school hungry...
This beautiful, breathtaking #embracingnightmares
A detailed pen-and-ink exploration of a modified auto-rickshaw turned into a mobile coffee stall. This design captures the charm of urban travel and the global love for street food culture, rendered in a raw, sketchbook style.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
A whimsical unicorn rides a waffle ice cream cone, leaving a colorful rainbow mane trail. Its playful posture adds charm comunicating freedom, happyiness and joy.
A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.
A boat floats at the center of swirling, vibrant blue waves, creating a sense of motion and energy. The contrast between the warm tones of the boat and the cool hues of the water highlights the image's dynamic composition.
A mason jar filled with glowing fireflies casts a warm, bright light. The playful arrangement of the fireflies creates a whimsical and enchanting effect.
This captivating ink drawing features a fantasy character standing still, deeply rooted to the earth and seamlessly merged with nature. Surrounded by a complex web of trees and plants, the figure embodies the essence of the natural world. In the background, a mesmerizing sunset casts a warm glow over abstract waves of clouds, creating a harmonious blend of light and shadow. This artwork symbolizes the profound connection between humanity and the environment, inviting viewers to reflect on the beauty of nature.
Considering making a webtoon this is just a sketch. I’m aware her leg anatomy is a bit messed up so do try not to focus on that lol, consider following my YouTube @Carmä
Dream of the Yellow Chrysanthemum from Dialogues in Paradise by Can Xue.
I was hiding behind the window aiming my air gun at a squirrel on a roof in the distance. I had been taking aim for two hours. But when I finally shot, full of confidence, the steel pellet zinged right into Old Jiang's arm. God knows why I lost my mind at the crucial moment, I was born with the impulsive personality. Immediately he jumped up and dashed into the room, shouting, "Murder! Murder!" I was totally embarrassed.
Farmalytica is a brand-new company in the field of agriculture which aims for utilizing technology in the field to achieve the sustainability of land resources. Here is the lOGO design for this brand, I hope you like it...
Have you ever woken up from begging "I wanna pee-pee" whimpering closely to your ear? Or from a barking alarm because the birds are singing loudly outside? Yea-ah, dogs are the best alarm clocks... We're sure you'll have a woof-derful week, guys!
Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
Graphite and charcoal with white acrylic paint for some of the stars. This year, my brother and sister in law got a telescope, so their family had a space themed Christmas. This was my contribution. Side note, I only just thought about how cruel I was to drop my nephew off in the arctic circle with only a tee shirt. We'll just say it's the north pole and the magic keeps them warm...
"English as She is Spoke" is a delightful example of incompetence and bad judgement. Jose da Fonseca and Pedro Carolina set out to write a Portuguese-English phrasebook. The only problem was that they didn't speak any English. They did know some French and armed with French-English phrasebook, dictionaries and enthusiasm they brought forth this book. Mark Twain was an early admirer of this book. "Nobody can add to the absurdity of this book, nobody can imitate it successfully, nobody can hope to produce its fellow; it is perfect, it must and will stand alone: its immortality is secure."
This was Emma Thompson in one of my favourite films, Stranger Than Fiction - she is brilliant! I used just colouring pencils in this one to try out a soft, harmonious look, on the background of blue A4 card. I quite like the relationship between the foreground and background in this piece; had the background been white, I don't think it would have worked as well.
Nornwan. Once there were Nature dwelling elves. They only ever lived, frolicked and played in the deep woods. Their bodies were quite accustomed to the trees. They could speak with the elements of nature, they could make the trees move and cause great mushrooms to grow from the earth. Theirs was the power to ask the spirits that watched over the wood fro guidance and peace. The Knights Factions implored these wild folk for aid on one fateful day. Few elves agreed to give trees and other supplies to the army, those that did not were attacked and destroyed and given no help by the army of Knights.
The friendly squish-walrus never means to squish things, but his permanently outstretched arms and difficulty slowing down once he’s gained momentum means that anything in his path is pretty much screwed. Most squish-ees forgive him easily though, because he’s just so darn nice.
