arte

I started a new art journal.

I've started a new mixed media sketchbook. Which is often times unexplainably daunting. To get over it I just dive in with lots of color. Then the fun begins.

Pen doodle started in work finished at home.

Overwhelmed...started as a little tiny sketchbook sketch and turned into my statement about recent events. It complements my previous post "Fevered Dreams." Bic ballpoint pen on archival 9” x 12” paper, scanned into Photoshop where the text overlay was added. Model: Jose

As my father would like to have this kind of painting, I started practicing. Open for your critique :)

Quirky Botanicals and Friends Colouring Book. My first colouring book, all hand-drawn illustrations that started off as doodles -- as a way of destressing and relaxing, taking breaks from 'real life' and work. My form of joyful creative therapy! It's available at Amazon worldwide and Barnes and Noble online.

Hey Boos! This is me in kindergarten. I decided to make different eras of my life. Dino Nugget is me in kindergarten (I was misaken for a boy all the time), then there is Princess who is me in 1st and 2nd grade (I was a feral demon in a princess dress what then), then Hoodie Kid (me in 5th and 6th grade), and lastly Bell Bottom who is me in 7th grade (she wont make an appearance until I make a big change in my style cause she's me currently) anyway this is just a little project for fun.

This is part of a broader idea for a big busy city teeming with different characters. Some of those characters will travel deeper through this city and through different lands. Eventually they get back to where they started from.

Ah yes, this... It all started two weeks ago when my mom said I could buy this pumpkin if I could carry it, and I did. All 50lbs of it. I kind of had an idea going into this, it got thrown out the window as soon as I started. 6 hours later I present this creature to you.

This started off as a black ink drawing, but after scanning into my computer, I played around in Pixelmator to add the background and some effects to achieve the final result. This was going to be my first attempt at either Inktober ot Artober. Many thanks for looking !

It has been a delight to share with my students the incredible resource of people. Over the years, I’ve had the great privilege of connecting them with inspiring individuals such as Lois Ehlert, Dave Nice, Gregory Martens, Colette Odya Smith, and—as seen in this “Behind the Professor” sketch—Dr. Gaylund Stone. There’s something powerful about the presence of someone who lives their craft with humility and depth. In moments like these, my students are reminded that more is often caught than taught.

I started rewatching the Saw franchise

Heard about a supposed art fight, got no idea what that is but I brung my sword to the fight.. Also I took advantage of this to try and study the style of @Dominik Mayer, @Artem Chebokha and @Andrew Maleski (once more)

BIC ballpoint stick pen drawing on Richeson bulk drawing paper. This started as a contour drawing and just got squiggly (not the original intent). This was clipped to my board for weeks and I would add a few squiggles from time to time when I wanted to make marks, but didn't have inspiration. It's just a bit under 15 inches (12x18 inch paper) and is probably about 25 hours of making little lines and squiggles. The reference was a Dreamstime royalty-free photo.

hello☺️✨ one day my mum and i drove around and we found a place with some old cars, busses and caravans. absolutly fell in love with them. we took some photos there and when i came home, i really wanted to draw them. so, i started drawing and it was so much fun. this drawing was inspired of one of those lovely cars we saw then. wish you a wonderful day!

heelo:) i drew this along time ago, this was the first drawing i coloured in on my ipad. i started this drawing on the train, when i was travelling to france with people i really love. everytime i look at this drawing it makes me so happy, because i think of all the beautiful memories. on my waterbottle, cleo (yes, my waterbottle has a name), is a giraffe wich inspired this drawing. have a wonderful day :)

I don't know what the fuck I just made I was trying to draw a cookie but the reference that I had had a lot of like different cracks in it I wasn't familiar with. I was doing draw a box earlier in 2021 but I stopped doing it because I started getting into my head I started doubting myself I was like why am I just trying to seriously draw now at 27, why did I go to school for 6 years to get a 4 year art degree, why is my art is not at the level I want it to be compared to all my classmates; these are all reasons why I'm doing this 365 challenge and I should remind myself that all the fucking time. I'm also going back to work for the next 4 days and work takes all of my energy to do art. Tomorrow marks 20 days of doing this, I'm proud of that.

I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.

As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years. For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin. Prints available via my website.

It's official! I've finally started drawing my first comic book. Here are the thumbnails for the first two pages. Meet Buil and Wrecks

Doodles and notes I started at a regional NJ chapter of SCBWI conference this past weekend. Then just kept adding stuff to the page this week. I learned a lot and met some great people. Looking forward to June!

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

"A dark man went on shovelling outside the door and all of a sudden I started to cry and I screamed: I'll bite him! I'll go outside and bite him! I shouldn't do that, Mummy said. He wouldn't under-stand. She screwed the top on to the bottle of Indian ink and said: what about going home? Yes, I said. So we went home." - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

このデザインは私の Patreon でレター サイズで印刷可能で、価格は 3 ドルです | This design is available on my Patreon in letter size to print for $3 | Este diseño esta disponible en mi Patreon en tamaño carta para imprimir por $3: https://www.patreon.com/posts/135716637

Abstract painting "A refugee leaves his native quarter" whatman, mixed media, acrylic and marker, 54x54 cm, 2023

This is a story seed that I have not yet followed through on, probably won't for a while. I started drawing this mainly so that I could draw those front legs. I think I did pretty well on them, though my shading here needs work

I used to see this friendly dog that would wander around and I would pet him. He disappeared for like a year. I was sad because I missed him and I didn't know what happened to him. I saw a dog last week that looked like him or was him but I wasn't able to get close enough to know for sure. It inspired my to finish this drawing I started a while ago.

Inkwash and gel pen in my square Arteza watercolour sketchbook. This kind of doodling soothes my mind.

The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “. Some of her work focuses on women, and they incorporate criticism and cultural protest. Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia. Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics. The structural composition of some of the works is influenced also by her many years of working in the architects’ office. Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.

This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.