The (i think) 12th and final butterfly for the Literal Butterflies Project. Wow! thats a lotta flutterflies. This one was certainly tedious with such elaborate markings, she wasn't easy! ... That said, none of them were. With such beauty, and intricate wing pattern and design, butterflies are a very difficult subject to work with. But somehow we managed to get through all 12 with some of my hair left! Loved every step of this journey :)
In the state where the face looks so dull (acnes in here and there with the acne scars of course and dont forget the bruntusan) until i realized that my eating habit is really affected. I try this and that skincare which i hope it will help but it didn't. Now i'm using natural skin care and start to control my eating habit (again). Hope it will helps.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
Capturing the spaces in between and amplifying them with a play on exposure and contrast to bring forth the beauty I see within the layers. This particular play is a flower I saved from a very special event I attended. I then dried the petals of this beauty. These special petals make their way to various projects, including oil and acrylic paintings and resin on canvas. More to come :)
A delicate, hand-drawn study of the Blue Liverflower (Hepatica), capturing the first signs of spring. This design features breezy blue petals, energetic linework, and a minimalist vase, blending a classic botanical feel with a modern, sketchy illustrative style. Perfect for those who love the quiet beauty of forest wildflowers and cottagecore-inspired art.
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
I still haven't had the pleasure of seeing this fascinating phenomenon with my own eyes, but someday I will! I painted this scene because I'm one of those weirdos that loves snow and sees so much beauty in the quiet winter scene. Acrylic on 3.5" x 3.5" on custom tiny canvas.
Embark on a journey through the mesmerizing world of our colorful rainbow artwork doodle drawing. This captivating creation is a vibrant symphony of hues that come together in harmonious chaos.
Every stroke of the pen is a burst of energy, every line a dance of colors that evoke emotions and spark imagination. From the rich reds that symbolize passion to the serene blues that whisper tranquility, each shade tells a story.
This artwork is a celebration of diversity, a reminder that beauty thrives in differences. It's a reminder of the positivity that radiates when we embrace the spectrum of life. The meticulous detailing and intricate patterns invite you to explore every nook and cranny, discovering hidden gems with each gaze.
Hang this masterpiece in your space, infuse your surroundings with its dynamic spirit. Let the vivid colors breathe life into your world, a testament to the joyful, vibrant, and kaleidoscopic nature of existence.
When i was younger & used to wear bright , colourful frocks , i always saw butterflies around me & i wanted to catch them. Growing gradually, now , i realised that the real joy of seeing a butterfly is not by catching it , rather to let it free & embrace the natural beauty.
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
Their tentative name is the Child of the Valley. I wanted to craft a small story to go with this image, but it proved too formidable a task for now. All I know is that the rider needs to be very careful about what he says to them.
This started out as the result of the art prompt, "beauty", during one of weekly digital art share sessions that I run on Discord. And then I took it, and ran with it.
My amazing boyfriend. ^^ first time doing this kind of painting. Thought it came out pretty good ^^ blending became challenging particularly for the shines of the skin. But over all, Im pretty happy with it ^^ hope you like it ✌
