These illustrations are part of an ongoing series on anxiety I started in early April 2018, as part of #The100DayProject. (See @helloanxiety_illustrated on Instagram to see more complete stories of each individual). This project is an extension of the fear illustrations I've been creating since 2012 (www.fear-illustrated).
(2B pencil on 110mm x 81mm paper) An odd dreamscape piece which produced the unlikely pair of characters of a wizard and, what looks like, a rocker, with the wizard having trouble deciphering a magic scroll he's been given. The rocker doesn't look too impressed!
Remember when Billy Shears showed up to replace him? Nah, me neither. I wasn't going to wreck my record to hear them say it either. I know the prompt was warm colors, sadly if I did the jacket in pink or red it would've been George or Ringo. Anyway, a quick but fun sketch. "See the worst thing about doing this, doing something like this, is I think that at first people sort of are a bit suspicious. 'You know, come on, what are you up to?'"
I have long been fascinated by the vision of a campfire in a dark forest and I have drawn a few versions of it with different results. This is the latest attempt
I had an idea to create illustrations of fruit set in autumn 2017, and have been working on the realization of this idea throughout February/March 2018. In all, I have created 11 illustrations: apple, apricot, banana, cherry, grape, lemon, orange, pear, plum, tomato, watermelon. Using rapidograph to form the shape, I am coloring my works digitally in Adobe Photoshop. Here is an apple!
45/100 of my nature illo themed 100 Day Project. I started my challenge drawing only on my iPad but hit some bumps when I forgot my Apple Pencil in Florida (I live in California). With that, I have been getting reacquainted with my sketchbook which has been set aside for a few months until now. Feels good to get back into it. Everytime I come back to painting, I wonder why I ever paused in the first place.
FEDERICO FELLINI
In a 1977 interview, he described his morning routine:
I'm up at six in the morning. I walk around the house, open sindows, poke around boxes. move books from here to there. For years I've been trying to make myself a decent cup if coffee, but it's not one of my specialties. I go downstairs, outside as soon as possible. By seven I'm on the telephone.
- Daily rituals by Mason Curry.
#inktober #masonCurry #federicofellini #dailyritual
This year is my first time participating in the global drawing challenge called INKTOBER!
Fact, I haven't been sharing with you all my entries from the official inktober prompt list from the beginning. Even so I still would like to show you some of them anyway :) So here it is my interpretation on the prompt 'RADIO' Enjoy :)
Oh hi, I'm new here. And I haven't been focusing much on doodling at all lately, I've painted instead. Hopefully this place will motivate me to doodle more often. Cheers!
This is a little piece of hand-lettering I did from one of my favorite Joss Whedon quotes. You can print out your own copy from the file on my blog:
http://blog.beeskneesindustries.com/cateanevski/2015/07/print-no-power-in-the-verse.html
A fun little drawing iv been working on for a few days on and off. I wasn't sure what to fill so much negative space with but eventually decided on spider webs. lol Big thank you to Miss Betsi and her awesome Youtube tutorials on how to make these fun designs and more! Originally drawn in ink on plain paper and filtered and enhanced digitally afterward~
It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
...
I should be the one shielding myself from the sun just so it can't kill anymore neurones.
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Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
Ive been trying to draw human faces as its something i dont do as much normally. Its something ive really been enjoying though, its fun adding silly details and different ideas that can form from it.
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
Anubis and his box of threads.
I am going through the wiki list of mythological hybrid creatures and imagining their lives and what they might be like and what they might like to do. It's been fun - sometimes; some of the myths are dark and sad.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
"Man on the Train: Hey, are you a dreamer?
Wiley: Yeah.
Man on the Train: I haven’t seen too many around lately. Things have been tough lately for dreamers. They say dreaming is dead, no one does it anymore. It’s not dead it’s just that it’s been forgotten, removed from our language. Nobody teaches it so nobody knows it exists. The dreamer is banished to obscurity. Well, I’m trying to change all that, and I hope you are too. By dreaming, every day. Dreaming with our hands and dreaming with our minds. Our planet is facing the greatest problems it’s ever faced, ever. So whatever you do, don’t be bored, this is absolutely the most exciting time we could have possibly hoped to be alive. And things are just starting" - waking life (movie).
°
So the other day I had a beautiful conversation about lucid dreaming with some friends. We shared amazing dream memories that we all had experienced and right the next day this sleeping beauty started showing up on a piece of paper.
What about you, are you a dreamer? :)
♠️
