This two horses are bit older but still not so bad in my eyes. Will draw when have my other artwork done again a horse... maybe some differences to past. The left horse was from a friend a horse. "Buddy" unfortunately dont living anymore.
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
Geometric pen drawing detailed with stippling. What started out as a simple mountain doodle turned out to be a bit more chaotic than I'd anticipated but I like the end result!
A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.
"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room.
The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life.
With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.
Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever.
Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall.
Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.
I spent christmas holidays 2015 inking a very small children's book as a present to my friend's kids. About 20 pages or so. Here the main character of the story is tuning the instrument owned by The Strange Animal, with help from The Whistling Compass. A terrible noise from The Magical Forest was disturbing the night sleep of a local king and the problem was solved thanks to our protagonists skills.
A long time ago In Egypt you would bury the person with some belongings you think they would benefit in their after life. A few interesting objects I chose were from a mobile, baked beans, kitkat, toothpaste, apples, gloves to a paintbrush and more. A fun artwork where egyptian hieroglyphic symbols were used.
Urszyg [oorshig] – a daimon watching over garden cabins, summer houses, dachas, etc. He’s very fond of DIY projects, grilled dishes (although he wouldn’t say: „No“ to a good cat food). Unfortunately, he also likes strong beverages (particularly if they have a cherry flavor). For this reason, not all of his repairs and DIY projects can be considered successful. Generally, however, he is a good soul and I can‘t say anything bad about him.
My mind is on Puna so much lately. I love Hawaii...was born there and rediscovered it as an adult. I stay in Puna area when I go, in little houses I rent, or once, housesitting for a friend. This drawing was made one day when Mom and Dad and I went to Pohoiki to sketch. This little cottage and park is in the path of the flow and may already be gone. You can no longer drive there as the roads have been cut off by the lava flow. My heart goes out to all Hawaii residents dealing with this massive lava flow, and the VOG that goes with it.
There might be a few weird reflections in this as I had to take a pic of it on my screen to get a file large enough....I gave the original to a friend who lives near the park.
