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blac

ATUL PACHPINDE ATUL PACHPINDE
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model

"The best part of beauty is that which no picture can express."

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Noah Mathue Turner Noah Mathue Turner
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Skull study

I am really suprised how this turned out I was expecting something totally different but love the result and wanted to show my progress

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Andries Andries
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That Thing

My best drawings are the ones that make me feel like a kid while doing them.

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Laura Feller Laura Feller
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Pluto

Pilot Precise V5 (extra fine) + Sharpie on white paper • #luck #blackcat #perspective

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Ryan Ryan
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Owl Woods

A quick pencil drawing of an owl in a forest. Fine pencil, no eraser.

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Andries Andries
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Bloom

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Andries Andries
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Thing

Minimal-ish

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Debbie Clapper Debbie Clapper
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Pattern Study 14: Black

Doodled out a simple circular pattern repeat study.

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Stephen Stephen
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Peter took His Eye off Jesus and began to sink.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

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Andries Andries
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Untitled

Couldn't think of a title

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Laura Feller Laura Feller
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Hand of Glory

Gold Metallic Gel Pen (0.7 mm) + White Gel Pen (1.0 mm) on black paper • #luck #handofglory

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Andries Andries
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Man-Boy Innocence

Title Tentative :)

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Medha Kulkarni Medha Kulkarni
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Halasan

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Kazuhiro Higashi Kazuhiro Higashi
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Monotype printmaking

Monotype print with black ink

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Iordan Daniela Iordan Daniela
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Black and White Frankenstein

Acrylic on Canson paper size A4

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VictoriaRoseMartin VictoriaRoseMartin
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Lady O

A sketch created for a small oil painting on linen. I am creating a series of brooches to celebrate the 100th anniversary of women having the right to vote.

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Élias Roux Élias Roux
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Quick scribble

Tiny drawing frome a serie of ten other drawings, all posted on my instagram.

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ESS22 ESS22
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Two of Swords

11 x 15-inch spit shaded ink painting on watercolor paper

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E K Lindgren E K Lindgren
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Confetti Fun

Pen and ink line art on sketch paper created for Februfairy 2020 challenge

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Ammy Brets Ammy Brets
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Blue Eye

I tried using blue again, i like it better when it comes to these types of drawings (eyes, trees, buildings) but i will definitely be using black for creature and animal drawings. Let me know what you think, comment any tips for improvements, or even just to say what you do like about it; feedback is welcome on all my art.

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Debbie Clapper Debbie Clapper
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Pattern Study 9: Black

Getting a little wavy psychedelic with this one!

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Noah Mathue Turner Noah Mathue Turner
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Women face practice

It is a face that I tried to draw from a reference but I am still very new to this

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Apriccot Apriccot
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Blendra

cross hatching study

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Niels Mud Niels Mud
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Window

Window, drawn with pencil in my A6 sketchbook

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PHILIP GRAY PHILIP GRAY
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Pinup girl drawing - Lalla

Here's a drawing I made of pinup model Lalla.I used black ink, color pencil (black and grey) graphite pencil on watercolor paper. Many thanks for looking.

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KEVIN KEVIN
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deep within

black biro

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Bryant Bush Bryant Bush
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Wild World detail 1

Sea Turtle...and Peppa Pig. This drawing was a gift for a friend of mine who loves Peppa. When I gave it to her, she saw Peppa after looking for only about three seconds. I couldn't believe it.

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Happisis Happisis
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nothing

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Ryan Ryan
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Feather Fields

First experiment using a pair of Japanese calligraphy pens that I recently got. Finished off with a charcoal pencil.

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Tina Sonntag Tina Sonntag
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C-Rad

The picture is terrible. the colors are much brighter... Named for the person liked it most Marker, sharpie, watercolor markers. Simple way to get out of my mind, relax, zone out, I call it brain numbing style because to me it's simple (but it's not really) and just what I do no rhyme or reason. I Just start drawing lines (no subject) with black sharpie/perm marker and see what develops, often surprise myself. I go back and see faces, objects, figures... Closing lines up I see more and then as I start adding color more images develop, no theme to begin but rather it develops as I color and close it in . I tend to see faces a lot especially in graphite or charcoal and in just about anything...rocks, wood, paneling. At times I start with a scenery or subject but turns out completely different and the original never happened. I find out after I look up from being so focused (call it zoned out)

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