The observational sketch was done in ink. One of my few urban sketches. The grandeur of the entire cathedral was too large for me to capture in my drawing but here's a little of what I did.
(B grade pencil on 125mm x 75mm notecard) Another dreamscape image. With this one, I decided to pick out points of detail whilst having the rest shaded in the background. It works well, even with minimum elements highlighted.
Los Capsus son una serie de personajes en forma de capsulas con una gran cantidad de expresiones divertidas. ellos acostumbran invadir los espacios mas creativos de la imaginación con sus situaciones llenas de locuras. las ilustraciones de los Capsus están plagadas de actividades como la observación, búsqueda y el descubrimiento del espacio invadido, sus mundo no tiene reglas ni instrucciones, lo único que tiene es diversión en cada imagen.
Interesting to try to capture the detail in this image using different media for different items. It took a while, but I was pleased with the result. From a magazine photo.
Before you is a touching tale of true friendship between a capybara and a mouse. The capybara is the world's largest rodent. If you google "capybara friends," you'll see that there are a lot of instances of other species just hanging out with them in the wild. For some reason, all animals are attracted to the capybara. I'll wait while you look this up.
This piece began as a multi-colored abstract . . . but it was nowhere . . . nothing . . . and had no essence. So, I tried to take it in the direction of a landscape . . . and that was horrible. I gave the entire piece a whitewash using a white acrylic paint pen. And then the idea popped into my head to Doodle over the colored background. The title reflects the fact that the piece only came to life with the addition of the Doodles . . .
(Black biro on a 75mm x 125mm notecard) A juxtaposed image of a comic book type image with an unrelated speech caption. The type of thing you tend to hear from those on their mobile phones on buses.
(2B pencil on a 139mm x 87mm postcard) A single comic book frame can sometimes tell a great story on its own, sometimes differing from the story in the actual comic book. An idea that I used with this frame that I drew.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
