I had this black cardboard lying around for quite some time so I finally decided to make something out of it. Went for a intense lighting on a horse silhouette because the cardboard is dark and well, because I really like horses. Hope you like it.
A predator reduced to bone but not to silence. The body is gone, yet the motion remains — jaw open, spine curved, still moving through water that no longer needs flesh to carry it. This is not a fossil resting in sand; it is a hunter that never learned how to stop.
The ocean keeps its shape alive. Instinct outlasts life.
Some creatures don’t die — they continue.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
Here on this acrylic/ink on canvas piece, you can see a Loupee realizing that it truly, in fact, is very ugly. Actually so ugly, that it began to melt its surrounding reality causing its shadow to lose its true vibrancy. All it wanted was to see was its pupils. No one can relate to this situation any better than you can.
This is a traditional art illustration produced with Copic markers and Prismacolor colored pencils, on a blanks sketch cover for a Batman rebirth #01 It featuring Joaquin Phoenix from the Joker movie. see more at Sketchcardsandcovers.com
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
Sometimes wisdom comes in a joke,
and sometimes laughter carries truth.
Brian spoke like a sage,
Mike answered like a friend,
and together they held the room.
We draw to remember.
Not only the lines of faces,
but the presence of goodness,
the gift of voices that echo
long after the chairs are empty.
