"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
It's an old fanart drawing I did of "Feel Good Inc" by Gorillaz! The small black spots are holes from pinning it to my wall with tacks.
I can't believe I forgot to post this...it's realllly old.
These are 5 out of 12 images I did while processing the necessity of healing from life lessons. Heartbreak is prevalent throughout all the levels of tragedies in our lives. At times, the mourning period feels forced-- I never really want my wounds to heal because I feel they're the last of the love I carried for that "thing". The process feels like gold pouring into my gapping heart and I can only scream as it sears through my veins. It hurts to heal. It hurts that it has to happen.
This is a traditional art illustration produced with Copic markers and Prismacolor colored pencils, on a blanks sketch cover for an All Star Batman#01 It features Micheal Keaton and Michelle Pfeiffer from the Tim Burton films. See more at Sketchcardsandcovers.com
I liked her so much I drew her again, but I learned some things about her. (Damn those hands, gotta work on them.) Concept art
Name: Carina
Age: ???
Race: Demon (Father is a demon, mother human)
Ethnicity: Her mother was a young Italian woman who was tricked into falling in love with a demon.
Status: Sorceress
Abilities: She wields a staff that consumes souls of the living. She uses those souls to feed her power.
Extra (for now): The globe on her staff is an ancient artifact in which she had to prove her will and strength to achieve it. The artifact draws out the souls of her victims. But before it does, it puts them in a trance like state to keep them immobilized.
*Ps:not my bestest work at all! even I took 11 days on this aka 1 an half weeks on it and I liked finished ver better then inked ver!* (finished ver is better)*
(Ps emma fan pride month is very soon
Starring Lesley Gore: You don't own me (1963). Let me tell you a story about women struggling to build careers in "man areas" as if building a house of cards. About a 17-year old girl singing a feminist anthem written by men in the 60s music industry dominated by men. About a young female journalist called Gloria who was supposed to write in "Womens' pages" only. About the same woman shouting out to the pink hats in 2017 as she already did to women in the 70s. Tricolor linoprint using one lino plate. December, 2020.
Public art show "Cruisin the Square" for our town, Pontiac, IL. Local artists were given a fiberglass car or truck to alter as they wished. I turned mine into what might happen if I journaled on my car as I traveled Route 66.
A little while back I started doing little triptych cartoons, something I could have fun with and zip off pretty quickly. Then I expanded them to four panels when it felt necessary. Some people think too deeply about my little toons and are confused about what's happening. I just tell them to look at it more simply, and not to overthink it. Like this one.
This design is from a series used for postcards, A4 prints, bags, tshirts etc https://davidmeehanart.blogspot.com/p/y.html David Meehan Art = Good art at reasonable price
Sometimes wisdom comes in a joke,
and sometimes laughter carries truth.
Brian spoke like a sage,
Mike answered like a friend,
and together they held the room.
We draw to remember.
Not only the lines of faces,
but the presence of goodness,
the gift of voices that echo
long after the chairs are empty.
These are watercolor and pencil and ink drawings. They are 5 of 10 images of my hand from a child's board book from which I peeled the laminated pages and exposed the underlying cardboard. I have always struggled with a very large Port Wine Stain birthmark, and periodically make art about that, this one of two books this year.
A predator reduced to bone but not to silence. The body is gone, yet the motion remains — jaw open, spine curved, still moving through water that no longer needs flesh to carry it. This is not a fossil resting in sand; it is a hunter that never learned how to stop.
The ocean keeps its shape alive. Instinct outlasts life.
Some creatures don’t die — they continue.
