The above anime portrait is of my mentor from the ADPList Design community. I illustrated this to show my sign of respect as she is dedicated towards her mentee's well-being.
When i was younger & used to wear bright , colourful frocks , i always saw butterflies around me & i wanted to catch them. Growing gradually, now , i realised that the real joy of seeing a butterfly is not by catching it , rather to let it free & embrace the natural beauty.
A drawing of the Jules Dalou (1838-1902) sculpture. I would love to post more than one photo, but the site sometimes randomly duplicates one of my five images. 2023, Double Page Spread-5” x 8,” Ballpoint Pen on Moleskine Sketchbook.
I dedicate this work to my beloved pet, Cenna. Although she left me a few months ago, my memories of our time together will never fade.
Thank you for everything you gave me, Cenna. For being there every time I started to cry, for watching over me while I slept, and for always being by my side when I needed someone to listen.
I miss it all, Cenna.
From my series Bikes of Amsterdam. Normally it's cyclists I have spotted around town but this is a little day dreaming. Who knows what's lurking in all the canals.
Catty corner or kitty corner or also cater cornered.
Such a weird expression that today I learned is to be identified with obsolete cater “four”, from Middle French quatre.
Favorite words.
https://www.instagram.com/p/Cq8Dw2QO_Vr/?utm_source=ig_web_copy_link
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Often I am given to making marks on paper that reflect the objects I see coming towards me as I gaze out the front car window. I do this exercise as a passenger of course. The goal is not the end product, but the process of connecting what I see with motor control. The product is an indication of movement and energy. Give it a try!
