center

meeting with a view (from 'Pulmann Lounge' of Berlin International Congress Center)

This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.

I am delighted to share that I Am a Dragon! has been named to the Pennsylvania Center for the Book's 2024 Baker's Dozen: Thirteen Best Books for Family Literacy! Here is the list ( I am in such a good company!): - “10 Dogs” by Emily Gravett - “ABC and You and Me” by Corinna Luyken - “Bear with Me” illustrated by Kerascoët, Sebastien Cosset and Marie Pommepuy, - “The Concrete Garden” by Bob Graham - “How to Count to ONE (And Don't Even THINK About Bigger Numbers!)” by Caspar Salmon and illustrated by Matt Hunt - “I Am a Dragon! A Squabble and a Quibble” by Sabina Hahn, published by HarperCollins. - “If I Was a Horse” by Sophie Blackall - “The Kitten Story” by Emily Jenkins and illustrated by Brittany Cicchese - “Mr. S” by Monica Arnaldo - “Night in the City” by Julie Downing - “Ruffles and the Cozy, Cozy Bed” by David Melling - “Simon and the Better Bone” by Corey R. Tabor - “You Go First” by Ariel Bernstein and illustrated by Marc Rosenthal

Metatron’s cube is 13 circles connected by straight lines. It contains all 5 Platonic solids. Stare at the center for a while and you'll see them.

i was just reimagining some Neutral Milk Hotel Lyrics. Most of my art is centered around a short story or quote or music lyric. Mostly single panel stuff.

Ha Long Bay is a small bay on the west coast of the Gulf of Tonkin in the Northeastern Sea region of Vietnam, including the island waters of Ha Long city in Quang Ninh province. Being the center of a large area with more or less similar elements in geology, geomorphology, landscape, climate and culture, with Bai Tu Long Bay in the northeast and Cat Ba archipelago in the southwest, Ha Long Bay is limited to an area of ​​about 1,553 km², including 1,969 large and small islands, most of which are limestone islands, in which the core area of ​​​​the bay has an area of ​​​​335 km² with a dense cluster of 775 islands. The tectonic history of the bay's limestone karst has spanned about 500 million years with very different paleo-geographical circumstances; and full karst evolution over 20 million years with a combination of factors such as thick limestone, hot and humid climate, and overall slow tectonic uplift. The combination of environment, climate, geology, geomorphology, has made Ha Long Bay become the convergence of biodiversity including tropical moist evergreen closed forest ecosystem and marine and coastal ecosystems. shoreline with many sub-ecosystems. 17 endemic plant species and about 60 endemic animal species have been discovered among thousands of flora and fauna inhabiting the bay.

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EASL Costumed Figure Drawing night at Fullerton College last night. #easl #sketch #sketching #fullertoncollegeartdepartment #fullertoncollege #artmodel #lifedrawing #sketchbook #colorerase #costume #characterdesign #artcentercollegeofdesign #illustration

Firehouse cultural center summer camp #sketchwallet #firehouseculturalcenter

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

Lush green leaves form a vibrant background, setting a calming tone with the motivational phrase "Help Yourself" in the center. The contrast between the text and the foliage captures attention and invites reflection.

Luminary Festival - Auren Farkis (Digital Portrait I did as a colour study) Crisp reverberating strings danced through the evening. Notes twisted and echoed up through the emerald, velvet tiers of Ridgedow Gardens. Dusk’s veil had long since darkened to a diamond-encrusted black, and Clarglow was alive with activity. Footpaths were choked with revellers that formed a river of light that coursed and pulsed through the park. Will-o-whisp spots of light also glowed among the neatly trimmed hedgerows and statues. Their magic-addled voices rose up, joining in with the music of the Luminary Festival. A young man, no more than a quarter of a century old, glowed brightest of all. A soft orange radiated from his eyes, and his veins pulsed a brilliant red. He was dripping in gold and gems. Over an outfit that somehow managed to be heavily layered and revealing at the same time, he wore a sheer cape, which was heavily embroidered with blood-red crystals that refracted his own light around him in dazzling, concentrated rays. It was such a dangerous colour of magic, but his expression was soft and dreamy. Excited laughter rose up as a clustered group shot metallic confetti skyward. Gold flake drifted down and settled into his silver hair, cheeks, and shoulders. No doubt he would discover the remnants of this festival in his home weeks from now. He increased his pace, stepping off the cobbled path to overtake the group, when one of their number split from the group. The coils of her dark hair were so saturated with gold that she looked like she belonged on a pedestal next to the other statues. She intercepted him, matching his pace. She snaked a long, slender arm around his waist and pulled him closer. She pressed her lips against his neck, leaving a wake of golden kisses up to his earlobe, where she leaned closer to whisper. — “Aurie, Luv, I know that look. Don’t tell me you’re headed home. The eve has only just begun. “ Her glowing eyes Locked with Auren’s, her grip tightening, slowing the both of them to a stop, causing a temporary blockage in the flow of people. “Overdid myself Mel.. you’ll have to –” –” Come with us to the reflecting pool.” She cooed, meeting his lips in an off-center kiss, smearing his inky wine lipstick. Momentarily, he allowed himself to relax. He considered saying yes. His heart pounding, he dipped his friend backwards gracefully, resenting that he had to leave. An itch in his left arm reminded his fuzzy brain that he was in danger. Gasping softly, he gently lifted Mella upright and spun her out towards her friends, who were growing impatient. He couldn’t make out their faces in the fuzz of the evening. “I can’t, I’m sorry Mel! We’ll talk later.” Before she could protest, he danced, spinning forward in a brilliant display of speed that ended in a stumble as he met a set of steep steps that coiled sharply upwards out of the park and onto the pink brick streets overlooking Ridgedow Gardens. The glazed windows facing the street were empty and blank… their occupants elsewhere, enjoying the festival. The empty buildings were like faces, judging him for his lack of zeal. Auren wound his way through streets and side streets, his pace increasing as he grew more and more alone. Finally, he was climbing a set of steps to his own front door. Smirking at the sight of it he reached down into the front of the bodice that held together the layers of his outfit pulling free a loop of keys that were on a long chain looped around his neck. Aligning it to the keyhole he struggled with the lock, cursing softly under his breath as it initially failed to cooperate with him. In the quiet black of his foyer, he latched the door behind him and stumbled forward, tearing at the ribbon that held the gleaming cape that draped from his bare shoulders. He let it drop on a black lacquered table. He reached up to unclasp an elaborate choker and tore his single, crimson glove down from his elbow. He pressed a gilded fingernail against a band of red ink encroached upon by a spreading corruption. Marginally extending beyond the band were sinews of mismatched muscle and skin; even his hair had begun to glow red. Pulse rising, he wrenched his rings from his fingers, casting them into the ever-darkening room. Precious jewellery piled under him until only the dimmest glow from his own veins remained.. Slumping onto the steps, he tightened his grip on his arm and twisted it ninety degrees. A sharp click of crystal against porcelain met his ears. The room was enveloped in black as his final stone slid away from his arm, rendering the prosthesis inert. He slid to his side, the sounds of the party below overtaken by his own gasping breaths, panic refusing to subside alongside his magic.

It’s supposed to look off centered that wasn’t an accident

This piece of art depicts the vision of a human being, being shown with colors such as white, black, and blue. Acrylic abstract painting on canvas for office wall with a color combination of blue and black and a hint of white. A semicircle is painted in the center of the painting to attract happiness—painting for office, wall paintings for office, canvas painting acrylic, acrylic painting.

Wrongway Regional Medical Center anniversary from which I retired in 2020.

Lavender flowers represent purity, silence, devotion, serenity, grace, and calmness. Purple is the color of royalty and speaks of elegance, refinement, and luxury, too. The color is also associated with the crown chakra, which is the energy center associated with a higher purpose and spiritual connectivity.

In relation to DSaF 4 (my own sort of sequel --- I didn't make DSaF, this is just a fan project), this guy is the one who brought Dave, Jack, and Henry back to life. How or why he did it is kind of the center of DSaF 4. Uhm, anyways... his name is Peter Miller. Drawn with FireAlpaca.

Hand-drawn work on A5 paper :) My work is centered within the boundaries of perception, so I would love to hear back from you: what do you see? What pops out first to you? How does it make you feel? :D

A steam titan from the elder age, long forgotten. But this mammoth of gears and levers has not fogotten it's purpose. It delves through stone, and rock and mineral and earth. It hasn't stopped since the master's last order. The very nature of this machine is loyalty itself. Sometimes the scavengers follow it, picking up the remains it leaves behind in its search. What is it searching for? The center of the Earth? Nirvana? Hell for us ? Many a strange thing lay in the world of Nornwan. Was it always so? Mayhaps... But to find the answers to these questions, we must do as this steam engine, we forge onward. March on, Untitled Heroes. We are untitled. No one can stop us. https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber #cartoons #cartoonart #cartooning #cartoony #nornwan #spiders #cartoonist #inspiring #colors #untitledheroes #art #artoftheday #original #fantasy #originalcharacter #awesome #artwork #mixmedia #newcartoon #nornwan #supercool #story #storytime #indie #wasteland #apocalypse #steampunk #steampunkstyle #steampunkdesign

This doodle occurred in AP Chemistry, starting with the flower and fern-like leaves in the center. It is a pen drawing and is also available as a print on my art sites (Redbubble, Society6, Fine Art America, Zazzle, and Threadless). Access all sites with this link if you'd like to see: https://linktr.ee/okhismakingart

Well friends just got done creating my new logo to represent my ministry. The design incorporates symbols that represent both writing poetry, commentaries, short humorous stories. This is represented by the quill pen. My fine art, commercial art represented by the painter's palette, and illustrative tools. The colors running to the center of the palette to from the cross, represent my Christian ministry. Going to FedExs to have business cards made. Planning to use this logo for my art fair booth

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VOLCANA (MARVEL COMICS) DONE 2015. ORIGINAL ART WAS THROWN AWAY Marsha Rosenberg was born in Denver, Colorado. She was a day care center employee who, along with her friend Skeeter, was among the residents of Denver transported to the Beyonder's "Battleworld" during Marvel Comics' first Secret Wars limited series. Seeking power and respect, she and Skeeter agreed to serve Doctor Doom in exchange for super powers. Doctor Doom had learned how to operate a machine utilizing alien technology. He used it to grant Rosenberg the ability to transform into a molten lava form with powerful thermal energy blasts, hence her codename "Volcana". She allied herself with Doctor Doom and the criminal faction and battled the She-Hulk in a confrontation with the heroic faction.[1] During the series, she developed a relationship with the supervillain Molecule Man, Owen Reece.[2] She bargained with the Enchantress,[3] and then battled the Enchantress with the intent to renege on her bargain.[4] During the Secret Wars II limited series, Marsha was residing back on Earth with Owen Reece. They hosted the Beyonder upon his arrival on Earth.[5] She tricked the Molecule Man into challenging the Beyonder[6] and then participated in the defeat of the Beyonder.[7] Some time later she accompanied the Molecule Man and the Fantastic Four to the Beyonder's universe. She separated from the Molecule Man when he apparently became irrevocably merged into another "cosmic cube" along with the Beyonder. Unlike her friend Skeeter who became the supervillainess Titania, Marsha did some superhero work.[8] She battled the Wizard[9] and Moonstone.[10] Volcana assisted the Avengers in repairing the damage to the Earth's crust caused by the Beyonder.[11] Volcana later took a comatose Molecule Man to the army hospital. After Molecule Man recovered, he turned the tent they were in into a hot air balloon as Captain Marvel's hologram wanted to talk. Volcana destroyed the projection. Because of the Silver Surfer, Volcana and Molecule Man were redirected to the Avengers and the Fantastic Four. After a brief fight, Molecule Man and Volcana were allowed to return to their apartment in Denver.[12] Later, she was briefly reunited with a de-powered Molecule Man (who had mysteriously returned to Earth) and battled Klaw. It was at that time that she gained the ability to assume volcanic rock and volcanic ash forms. She subsequently discovered that, just before his supposed "death," Molecule Man had secretly "willed" her a portion of his reality-warping power, and it was this power that gave her the ability to manifest these other forms at critical times, just when she needed them. Once he regained his power from her, she found herself no longer able to tolerate the darker side of his personality. She terminated their relationship, although Molecule Man vowed to one day prove his full love to her.[13] After losing a lot of weight, Volcana attended the wedding of Absorbing Man and Titania. Marsha discovered that Molecule Man was also invited. When Volcana went to check up on Titania following the supervillain attendees' fight with She-Hulk, she encountered Crystal, and Hydro-Man arrived to help Volcana until Crystal was defeated by Molecule Man.[14] Molecule Man still pined for Volcana. He captured Doc Samson, and after a fight with Doc Samson and She-Hulk, Molecule Man escaped and used his powers to carve Volcana's face in Mount Rushmore. Marsha saw the news of this on TV but did not suspect that Molecule Man was who made it happen.[15] During the "Fear Itself" storyline, Titania commented how Volcana just came along for the ride back when Titania was brought to Battleworld as she tells Dr. Wooster at the Farnum Observational Facility in Upstate New York.[16] Nightwatch later hired Volcana and Titania to fight She-Hulk in order to keep her from getting the documents that would incriminate him. With the help of her secretary Angie Huang, her supernatural monkey Hei Hei, and Hellcat, She-Hulk was able to defeat them with Huang redirecting Volcana's fire attack back to Volcana enough to melt her.[17] Powers and abilities Marsha Rosenberg gained superhuman powers through genetic manipulation by highly advanced technology performed by Doctor Doom. As Volcana, she originally had the ability to convert her entire body into a plasma form, in which she blazes with white-hot intensity, at times setting aflame any surface beneath her. In her human form, the 6 ft 5 in (1.96 m)[citation needed] tall Marsha has long black hair, and often wears only her magenta-colored swimsuit; her clothing is manufactured from unstable molecules, thus it is not destroyed when she is in her plasma form. The alien technology that empowered her makes her powers totally undetectable when she is in human form. Her plasma form grants her superhuman durability and consists of highly charged particles which surround her in white-hot flame and is able to emit controlled bursts of thermal energy up to 40 ft (12 m).[citation needed] She later gained the ability to convert her body into a stone form, a volcanic rock (basalt)-like composition which still enables movement and grants her superhuman strength. She subsequently gained an ash form, a volcanic ash (pumice)-like composition whose configuration she can shift, shape and control at will. Volcana cannot make partial transformations; she can possess the attributes of only one of her forms at a time. Monitoring devices subcutaneously implanted by Doctor Doom can be triggered to stimulate the aggression centers of her brain.

The cat is definitely the centerpiece

A photo of a garden ornament that I took at a garden center and then edited with an online editor.

A piece of a pencil drawing for Mahatma Gandhi on the center of the Indian flag as a background. The two birds represent the peace that Gandhi brought to India.

Here I am practicing drawing guys. These are all guys, believe it or not! I sketched Peter from San Domingo, the Medicine Hat Stallion. In the center is Gale from the Hunger Games. This is one of the ways I imagined he looked from the books. And below him is Hart from the Last Holiday Concert. The only guy I drew full-body was the kid on the right side. I didn’t draw him, however, with any specific character in mind, so I guess I just made him up.