Here's my Coffee & Quotes Challenge... with the sleeve removed ;) I thought it would be fun to continue the doodle underneath the sleeve! To see submitted version, check out my 'Drawing Challenges'... this contest has been awesome, it combined 2 of my faves: DOODLES & COFFEE!
I wanted to challenge myself with a different type of drawing without spending too much time on it. I am pretty satisfied with the results. It came out looking a lot more disgusting than I intended but it still works. lol Done in Graphite and Watercolor.
Oh boy, markers (NOT a go-to), least favorite color, and a subject that isn’t on my radar. This was a hard one what with 3 negatives going for it. But, hey, it’s a challenge, right?
Choosing a subject came first….we have a house full of Indonesian masks and sculptures. (My husband studied gamelon music in Indonesia.) Garuda, the “mount” of Vishnu and popular with Balinese artists seemed a good choice, esp. since he can be green, red, yellow or orange.
I rarely choose yellow/orange for anything---artwork, décor, clothing...though I do have a soft spot for sunflowers.
First I drew a bunch of images based on one of our wooden Garuda sculptures and then made a simplified marking pen outline and colored it with markers.
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
This is a mushroom illustration done from Dana Fox's watercolor with me book. This one was quite the challenge but I am happy with the way it turned out.
I was too late and missed the entry deadline…eating too much ProCrastinate?? lol. Anyways, couldn’t resist and fired up Adobe Dimensions, Illustrator and Photoshop for this quick and dirty advert.
Ink and Watercolor sketch of octopus. Normally I start with a pencil outline, then go over it with micron pens. But I'm learning to skip the pencil step and just sketch with ink. I helps you not to overthink things. Once you lay the ink line down on the paper it's there to stay. You can't erase and there isn't an undo like you have when working digitally. You just have to work around any "mistakes" you make. I'm also working on sketching faster because I just don't have that much free time these days. Trying to produce a new sketch every day is a real challenge.
Fairly recently I was "commissioned" to paint a picture of my cousin and grandmother. I'm pretty happy with how it turned out, but painting this was a bit of a challenge. There were definitely moments where I stopped painting and completely hated how it looked/became frustrated with myself, and I wouldn't work on it for days. I felt an odd pressure attached to making this... or maybe I'm crazy. 16x20, acrylic.
This was done for my first Scrawlr Box challenge. Which I was super excited to finally get to try, and I loved the supplies that were in the box. I am really happy with how this has turned out, it brings the two things I really like together; deer antlers and flowers.
A penguin. Digital watercolor base with oils overtop. I wanted to try to paint it like those traditional animal paintings from ages ago. I gave them an ear piercing for the challenge and kept it at that. They're stuck up; they don't need much. ;P
Sakura Pigma Micron pen and DR PH Martin Radiant Concentrated Watercolors. One side was painted, then embellished with ink, scanned into Photoshop, copied, flipped and pasted to make the two sides. (Fairly large image, so I included a couple of details.) Silly but fun to do. A little "acid" and a few hours of gazing is all you need for a profound experience. Ask me how I know.
I modified the challenge a wee bit. I didn't use the same paper for the various drawings since I was using (top row, left to right) hard graphite pencils (3H to HB), watercolor pencils, (bottom row, left to right) brush pens and ballpoint pen. These media work best on very different paper textures and moisture absorbing qualities. The second picture shows the object of my study --- and the apparatus I use to hold botanical subjects. "Third hand" tools are very useful and cheap. This one was under $10 and serves my purposes well. Just FYI. (Each drawing/painting was scanned and composited in Photoshop.)
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
