this is a traditional illustration in colored pencil and copic marker of Venom swinging over a city street drawn on an Amazing Spider-man blank sketch cover. See more at Sketchcardsandcovers.com
This art is linked to my previous work. The protogonist has entered the other side of the world. A weird place but it seems familiar as this world is nothing but his consciousness and diary is just a portal which let him in here
Drawings I made for a commission of the five stages of the Walking Wall installation by Andy Goldsworthy at the Nelson-Atkins Museum of Art in Kansas City. What an inspiring journey to walk and watch it move.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
Primrose is the oldest, Daphne is the middle, and Dalena is the youngest. The outfits were found on Pinterest/Instagram. The background was hard to come up with. I referenced Martin Ivanov's Gotham City for the background. Their story is still in the works but I wanted to draw them anyway.
I am delighted to share that I Am a Dragon! has been named to the Pennsylvania Center for the Book's 2024 Baker's Dozen: Thirteen Best Books for Family Literacy!
Here is the list
( I am in such a good company!):
- “10 Dogs” by Emily Gravett
- “ABC and You and Me” by Corinna Luyken
- “Bear with Me” illustrated by Kerascoët, Sebastien Cosset and Marie Pommepuy,
- “The Concrete Garden” by Bob Graham
- “How to Count to ONE (And Don't Even THINK About Bigger Numbers!)” by Caspar Salmon and illustrated by Matt Hunt
- “I Am a Dragon! A Squabble and a Quibble” by Sabina Hahn, published by HarperCollins.
- “If I Was a Horse” by Sophie Blackall
- “The Kitten Story” by Emily Jenkins and illustrated by Brittany Cicchese
- “Mr. S” by Monica Arnaldo
- “Night in the City” by Julie Downing
- “Ruffles and the Cozy, Cozy Bed” by David Melling
- “Simon and the Better Bone” by Corey R. Tabor
- “You Go First” by Ariel Bernstein and illustrated by Marc Rosenthal
Have been so sick lately, wish i could explain to my body what a waste of time that is. Luckily i have friends checking up on me, and they brought me all sorts of nice things: orange juice, flowers, chocolate, the largest banana i ever seen.... and then i realized i live in a city, and food delievery is an option! So four times i got the most delicious junk delivered to my door.
What startet as a somewhat mindless marker-sketch at a cafè while having a conversation later came out as a pretty cool cityscape. Probably inspired by the movie Tekkon Kinkreet, which I watched previously.
