A little o' this, a little o' that. All on 8.5X11 heavy white card stock. Some colored pencil. Using photoshop only to render contrast, no other manipulation.
Like smoke, the line finishes as soon as it began. There is no room for any colour shapes, or anything else to be done to it; any additions would disturb the coherent of the flow. Contrast, balance and flow all met there. Art simply surfaced at that very moment and left a trace. This very line represents 3 decades of work!
Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.
Lead pencils F,B-B7, kneatable- ,normal-, pencil eraser, paper stomps, tissue on A3 bamboo fibre rag paper. Choose to draw her bald, for no particular reason. Zoom in for full detail. Photographed in the sunlight with the canon 28 mm f/1.8 prime lens. Photoshop for greysteps contrast-boost and cropping. Like if you dare. Or else post some critique. Just some try to imagine Christina bald. Realistic? Still doodling? Her eyes are like dominating the whole draw... kind of unreal, isn´t it?
From Sketch to Final Water Coloring Stages, this is a spread from Tide Day! A lot goes into making a good composition, taking into account the center of the image where the binding is, and how to play with size and negative space. One of my favorite things to do is explore contrasting expressions between characters and highlight their emotions through physical stances and expressions. This was a tough challenge with the lack of limbs and the watery context, but Pearl's stubbornness and attitude shines through!
This doodle depicts a transitional phase in my college years. Illustrating one of my favourite rappers, drinks, snacks and one of the iconic buildings in London; this doodle is full of colours varying in throughout the page and popping out with contrast.
