The Edge of Night
We are living in the days on the edge of night
You can see the darkness swallowing up the light
As the world of man accepts wrong for right
Time is short, and it is foolish to waste it
By debating with skeptics that faith in God is intellectually
bright
We are living in the days on the edge of night
The enemy’s delusion is thick
So, walk by faith and not by sight
Don’t lie around sunbathing in the light
We must pick up the banner of Christ
And work as long as there is light!
(January 23, 1994)
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
I used brush pen and watercolors. The most challenging part was holding back on excessive pen lines to render the fur, using patches of paint instead. Although I think the background is a bit dark and there a few mistakes, I feel that learned from this.
Size 4' x 5' Painted on canvas Medium acrylic painted 1995
In this illustration i am trying to portray how active the spiritual world is in every day of our lives. How heaven and hell, these two kingdoms are battling it out to win our devotion. Even when A person chooses to become part of God's family, the believer will still have to struggle with the forces of darkness as long as we live in these mortal bodies.
The room is suppose to look like it's on fire. This is to represent the destiny of man, spending eternity in the lake of fire, if he refuses to be saved through God plan of salvation. the two people in this paint are the two leader of the two kingdoms. The Devil on the left, Jesus on the right. They are both standing at the door way that will lead to their kingdoms. They are both beckoning the viewer to go through their door. In this painting I want the viewer to understand that spiritual battle take place with every decision we face.
When we come to a spit in the road our we going to choose the right road or the wrong road? What ever road you Choose will sooner or later reap the reward. The reward will either be destruction or blessing, the blessed think is we choose
I illustrated the devil in a beautiful purple robe with gold sequence , To show He is the king of the fallen angels. Purple in the Bible was worn by king and governors and ruling authorities. The purple hood is to show that Satan is a deceiver. He will take truth and twisted into a lie , kind of the way a person will put poison mix in peanut butter to get rid of an unwanted mouse.
Most people don't recognize when the Devil is temping them, because the only view of Him they have is the movie the exorcist. But He is more effective when He appears in the form of a used car salesmen.
The gold belt He wears and the golden door way represent His tactics to side tract us with the love of temporal thing such as the love of money , fame, power.
If a person gain the whole world yet loose his soul what has he truly gained.
Illustrated Jesus dressed in a golden Robe with a golden sash. This represent He is the High priest who offered the sacrifice that appeased the requirement to deliver man from the power of sin, and restore man back to fellowship with God The Father. The door way to heaven is made up of the cross that Jesus gave His life on. If you look at the painting closely you will see holes in Jesus hands and feet. You also can seen on the cross from the blood and the spike marks where Jesus was nailed to the cross.
The devils door has endless darkness of Hell , where Jesus' door has endless light of heaven.
The rocking chair was designer to represent contemplation. Their are hearts with question marks in side them on the head rest as well the seat. I think of people sitting in their rocking chair when they have a big decision to make. So i think before we make decision, we should thing what will be the fruit down the road. If I plant thistle when it grows up it will hurt me . If i plant wheat, when it grows up it will feed me.
This is an oil painting of an African American couple. They’re sharing an intimate moment with each other. Some maybe would say that they’re the epitome of “Black Love”. His skin is dark tones as compared to her lighter shade. The two skin tones wrapped together in sheets gives life to what I call “The Happy Couple”.
No one knows where it is or why it exsists, but some believe it is a realm of wonder, where magic lives and evil consumes every inch of its vast desert.
A colorful and dynamic scene depicts a Cosmic Christmas Tree with swirling galaxies and stars against a dark background. The vibrant colors blend together to create an impression of movement and energy in space.
Inspired by a turn of phrase my girlfriend used to describe certain ex-friends of ours who got lost to conspiracy theories and generally problematic attitudes. Needless to say they’re haunted by all kinds of ghosts, wherever these people are!
Behind the Russian Church there is an abyss.
The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked.
Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
.
.
Urh.-Nr:1811955
.
.
Copyright by Carolina Matthes
"She stopped to speak to him, altering her mind, and went on her way."
Trying to learn more about Kay Nielsen's style. He illustrated folk and fairy tales in the early 1900s for Grimm and Disney and others. I love his dark/moody style with everything so flowy, elongated, elegant, and tragic. And his amazing compositions.
A pair of Ukrainian Easter eggs I've made. My designs are not especially traditional and are instead inspired by old wood cut art. The first egg features a musician playing a bandura and the second has 4 pictures, fish, forest, wheat and mountains. The eggs are made using beeswax applied with a metal tool called a Kistka (heated via a candle or electricity) you draw on the egg wherever you want to preserve its current colour before putting it into a dye bath working from the lightest colours to the darkest. When you have finished you remove the wax using a candle a paper towel and a little patience. heating and wiping away. then you can blow out your egg by making a hole in its top and bottom, smashing the yolk with a needle and blowing. These eggs are a couple of years old but we've pulled them out for easter last weekend.
Here’s a charcoal drawing of a design. Of course, I have a plethora of curvatures that range from narrow to wide in some areas. The curvatures are mirror images when comparing the left from the right. They come together to form the shape of a chandelier hanging from the ceiling. Some may even view the drawing as being similar to the pelvic area of a female. A dark blue is highlighted on the drawing to add more charm. Finally, the background is a lattice style with a light smear.
I went to sleep while going over various self-defense scenarios, and when I woke up this outfit in my head. I'm pretty happy with how it turned out. I'm sure there's some deep, dark, involved backstory behind that tatoo
I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
A detailed hand-drawn ink and wash illustration featuring two majestic dogs that look like statues perched above a historic gothic cathedral. This piece captures the timeless atmosphere of old European streets, blending architectural precision with the organic soul of a loyal companion cast in stone. Perfect for fans of urban sketching, dark academia, and classical monument art.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
.
Urh.-Nr:1811955
.
Copyright by Carolina Matthes
I love working with this pencil. Although it is like a watercolor pencil, the tone is much more graphite like and it disolves nicely once I start using a brush. Using more or less water creates nice value range. I'm definitely a fan of this pencil--also comes in a medium and dark wash.
