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zoning out and making endless branch lines

Illustrated this for my Resume, summing up my Identity in a doodle. The things that fuel me as an artist and as a creator, my journey as a Seeker and Explorer.

I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root. And yet… I am assigned to hallway duty. This is compulsory education, after all. So I sit—posted like a sentinel—watching young lives stream past. “Get to class,” I say with a smile and a nudge. The system wants attendance; I’m hungry for presence. Armed not with a whistle or clipboard, but with a pen— my scribble’s soft insurgency. The hallway stretches out like a geometric hymn. Columns and corners chant structure. Teenagers swirl past—half-formed galaxies of limbs and laughter— their orbits chaotic, their gravity pulling time forward. I begin to draw. Not their tardiness, but their motion. A shoulder. A blur of sneakers. A tilted head chasing freedom. Feet flickering like seconds. Each mark a pulse. Each smudge a breath. My paper becomes a seismograph of seeing— trembling gently through the mundane. This isn’t about making art for a frame or a feed. It’s about refusing to leak away in the fluorescent hum of obligation. It’s a quiet mutiny against the clock. I do this on long car rides, too (passenger side, mind you). Letting the lines grow wild, jagged, and unapologetic. Not for polish— but for presence. This is how I remember I’m still alive. Still growing. Still watching. Still choosing to see. Because sometimes mental health looks like a piece of scrap paper, a moving pen, and the simple, sacred act of marking time with wonder.

“Most things benefit from contrast. The exception is the truth.” ~Golgaaryol, 2025. (Koh-I-Noor and Bambino crayons) I usually describe things in there somewhere "Split of... Tenebroso"; https://www.deviantart.com/qahnareen

A cute avocado character dressed as an Aztec warrior, complete with a vibrant headdress, spear, and shield. The character's large eyes and round cheeks add a playful touch to its warrior attire. text that reads: "ahuacatl" (aztec for avocado)

Elsewhere - biro sketchon plastic sheet

featured briefly as a work in progress on youtube: https://www.youtube.com/watch?v=s3SgImimtYc

Together they are unstoppable

Drac out on a night ride look for 'friends'

Yet another self portrait. Whenever I am questioning my artistic abilities, I draw a self portrait to remind myself that I can draw but that I just need to familiarise myself with the subject matter.

Done with lead pencil on 9x12 bristol paper. I did this drawing long time ago and this is how I used to render like I did not know anything. As you see my later works in my gallery it is rendered alot differently. If you are interested in purchasing this artwork for $35 and also I do private commissions. Leave a comment or contact me at jungmeister4@yahoo.com (Shipping fee to ship the original artwork will apply) I AM OPEN FOR COMMISSION USING COLOR PENCIL OR LEAD PENCIL FOR ORIGINAL ART WORK. SIZE RANGE FROM 8.5X11, 9X12, 11X14, 11X17 COMMISSION RATE STARTS FROM $20 AND UP. MY ARTLINK & INFO IN THE COMMENTS. DM ME I AM SELLING MY ORIGINAL ART GO TO ART LINK BELOW AND CLICK ON THE IMAGES OF MY ART TO SEE PRICES, DIMENSIONS, AND MEDIUMS I USED ART LINK: https://www.artwanted.com/sneezyweezy/gallery/MY CALENDAR FOR SALE: https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar

Acrylic on Canson paper. I had in my mind this idea about the truth and knowledge and I try to paint it.

This my take and remake of Salvador Dalí’s (my fave artist) painting “ Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening”

You’re never too old to be stylish and express yourself! Adam has been a fashion designer for 15 years and has about 50 fancy suits in his collection! That’s why he asked Ami to draw him in his favorite outfit

Can you imagine being the first African-American woman doctor in the United States back in the 1800s? We can’t fathom it either! That’s what Dr. Rebecca Lee Crumpler had to deal with, and we can’t salute her more for that feat!

Working on drawing trees with more detail

Hello everyone I am going to graduate this year in the field of IT engineering If you find my arts good I am ready to work in artistic field if you hire me.

My star sign. Do glitter pens count as "galaxy colors"?

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

Soft pastel/pastel pencil study on A3

Acrylic on canvas 30x30 cm

I'd like too see this trees some day.

Mix media, it was a fun project and is now hanging up just to make the walls look happier.

I am amazed summer after summer seeing this tree and garden grow. I started this with a blue background and a black layer that I punched through, and from there, I painted layer by layer from the back to the front. I like the realism I got, but I kept to a painterly feel using oil brushes.

Crewed up….#embracingnightmares