The logo is for a medical supplies company. I hope you like it. The name of the company is written in English and Arabic at the same time. You can read it from left to right in English, and from right to left in Arabic. I will leave it to you to guess the name of the company. Besides, I also hope that you can find the word in Arabic. I am so excited to see your comments.
Christmas is getting close now, which is why I'm opening these up! I really need a budget for X-Mas shopping :3
I PAY WITH PAYPAL AND KO-FI
So the budget that I need is 50 USD Lets see if I can make it :P
Well actually more if I want to continue drawing, my computer is 7 years old and will die soon and since my art tools are my computer, mouse and Microsoft paint I will need to save up for another one as well XD
As you see they are hip-ups/halfbodies, however here are the prices for other commission types:
Headshot/Portrait: 2 USD
Ex. At the top but the body stops at the shoulders.
+ 1 USD for Additional character (Up to 3)
Bust/Waistup: 3 USD
Ex.
sta.sh/0fmesdmqg5l
+1.50 USD for Additional character (Up to 3)
Hipup/Halfbody: 4 USD
Ex.
The picture on top.
+ 2 USD for Additional character (Up to 3)
Kneeup: 5 USD
Ex.
sta.sh/01v0zn4cxkwg (A bit older drawing)
2.50 USD for Additional character (Up to 3)
Fullbodies: 6 USD
Ex.
sta.sh/01l5np7libm5
sta.sh/0k4t3zcb6sk
sta.sh/01wqafsay981
sta.sh/0i1cc8jbrf4
+ 3 USD for Additional character (Up to 3)
Do not draw:
-NSFW (You know complete nudity)
-Overly fat or muscular characters (I can try but just not the extreme you know)
- Furries/Anthro
-Extreme gore (Some blood, bandages, scares and such are fine)
Except that I can draw a bit of everything.
What you get list when your commission is finished list:
-Your drawing without watermark (Both sketch and finished version)
-High quality image (Original file)
-Transparent image + simple background image.
If anybody wants a commission please comment down below.
Waiting list
I think they had a disagreement...
(my friends and I like to challenge each other to draw random little scenarios like this...try it, it's pretty fun!)
So I did one of these with a couple of friends over on dA, where we each sketch something then ink the lines of someone else, and digitally colour the third, and as they both chose to draw their characters I scrapped the squid-creature idea to jump on the bandwagon as well! I need no excuses to draw Verus
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
There is a purpose in the rope being tied loosely. The individual has the liberty to free themselves but remains enslaved by their own choice. Many times we know exactly what to do, but refuse to do just that. Sometimes we want freedom, but we use our liberty to remained chained to what we hate.
Apolonia Cacadu (her family is calling her: Polly) is a working girl. Very hard working. During the day, she works part time in three different places, and in the evenings she professionally swings on a swing above the bar counter, in the "Under parrots" pub. Because of this constant running around the city, there is little time for her to eat, and often her daily meal is just a handful of crackers (which she loves) and a few green olives with pepper. That’s why her weight is rather featherlike. She dreams about a trip to the Amazon rainforest and spreading her wings as a dancer (she’s great at dance hall and twerking).
This is part of my daily Sketchgrind day 24. Study of animal sculls in the early morning. If you want to see more check out my Patreon Page https://www.patreon.com/uliunique
This is part of my daily Sketchgrind day 14. That's how I see collaborating with other artist is like, its tricky to get all the aspects together but if you finally get stuck - that's it. I also made a mini animation https://youtu.be/7z4c4dtWUXg If you want to see more check out my Patreon Page https://www.patreon.com/uliunique
I've been getting questions about how I create my art here, so I figured I would upload some progress pieces. Here's the first one! I was listening to the Westworld season 2 soundtrack which always makes me want to draw Harvey (for some reason). I wasn't really practicing anything in particular, just doodling. It was fun to just let my hand wander, though I think the sketch was much better than the inking I did.
To help pass time and keep my creativity at the front of my brain, I keep a half sheet handy and challenge myself to fill the page with lines, shapes and shadows before the shift is over. Never a theme planned I let the pen take me on its own adventure. I’m just a passenger.
Even with the wheel well and truly turning for the Beltane Fire Festival again, there’s still time for me to start a new sketchbook! Introducing “It Is What It Was” :-)
I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
