the mist hung heavy over scion's sound its waters lapping at the boats at the dock. Florien paced anxiously waiting to greet his betrothed. He had not slept an anxious knot curling in his stomach. If marrying Emory 'Lyrander' Lorelei was necessary for improving the future of Rekkenmark it is what he would do. He mustered a nervous smile sweeping into a chivalrous bow when Kukta cawed from her perch. "A pleasure to make your acquaintance Miss Lorelei. He extended a hand to help her down from the riverboat doing his best to ignore the mistrustful expression on her face.
A series of drawings I did digitally developing Florien ir'Litvin as a character as well as a little scene featuring him and Enna ir'Olar --- The whistling of the blizzard outside dropped into a lull as a gleaming gold chalice was passed between the Seekers. Candles winked out one at a time, dropping the temple into a pervasive gloom. Enna and Florien drank deeply, crimson lingering on their lips. Senses overwhelmed with magic, they leaned against each other. They could feel each other's heart thrumming unsteadily in their chest as they were gifted with a clarity that only their blood could bring. Together they knew they could face anything the year would bring.
Ella and Eve is a reminder that hope is not lost. Imagine having a rare form of cancer and being so young. Yet, they still have a smile on their faces. They shine with hope, courage, and positivity in the face of adversity!
I was looking at what Pixabay might offer as inspiration, and found this fish. Perfect for a ballpoint pen drawing. The incompleted drawing in the second photo was taken before the final "glaze" of little scribbles of turquoise pen across almost the whole surface. It was a happy accident that made for a shimmery, iridescent fishy quality.
I really hate to draw noses. For me it's always the starting point to mess up a face. As I left out facial features in most of my drawings... I have to start facing my fears.
This painting illustrates a man who finds safety from drowning in a stormy sea by
climbing on to a platform in shape of a cross.
The storm itself represents the trial we face in life. The shipwrecked person shows that
we have nothing we can approach God with that would sway Him to help us when we
call on Him for help.
Only out of grace and mercy does He rescue us. The platform in the shape of the cross
represents that God has provided a way for man to escape punishment for his sins,
which would have been casting him into the lake of fire after death.
Through God’s love and mercy, He punished Jesus for man’s sin; the guiltless Son of
God was punished so that the guilty sinful humans could be saved through faith.
The step represents man’s need to come to God humbly through Jesus to receive anything from God. The light breaking through the clouds represents God hearing the
man’s prayer and answering it.
(October 28, 2017)
my friend and i have a joke that no face has no legs (because i cannot wrap my mind around how to draw his limbs plus i just don't like his legs) so i made this for him a couple months ago
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. *including the whole spread, as sometimes I like the "waste" page most.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
