Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
Next up is the finalized sketch. Specifically when I'm working on prints and commissions I do a detailed final sketch. It makes the inking/painting process a lot faster.
There are practice excercises on Youtube for the sketchbook app. It was just for the flower, which
I didn't quite get it right and I changed the background and added the bee. I am actually proud of the bee. That's breakfast.
A vibrant fruit bowl filled with a variety of colorful mix of red fruits like strawberries, blueberries, and raspberries. The bright, bold colors create a striking contrast against the background.
Patron Saint of Lost Keys and Small Things.
Reminded me of this poem by Elizabeth Bishop.
One Art
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.
—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
Sorry about the lighting, but it’s still pretty clear. I decided against the rope in its mouth. I despise colored pencils and don’t really like how they look on most drawings. So I just tried to finish this as fast as I could.
I'm playing a lot with the background texture. I'm discovering the power of brushes from Krita Software.
I fell in love with the gouache texture effect.
I like the silhouettes in this illustration, but the leaves could be better. I need to find a good brush for drawing leaves faster and with ease.
Or maybe I should try some other techniques?
Have a creative time!
Whenever someone says Dodge Charger. The only name that comes to mind is Fast and Furious Movie - DOM, This car is such an epic car. I love this car a lot.
I did this illustration on Autodesk Sketchbook with a Midnight Blue body and Cherry Red stripes at the end.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
I had a spare 45 min after an errand and wanted to see the De Young. I wasn't planning on it, so I didn't have a jacket or hat to protect from the cold wind and had to draw fast.
I was assigned in art class to draw/paint/whatever something to do with reset... at first I, just like everyone else, pictured a reset button. After some thinking though, I remembered how each time my family moved from state to state, it was like I had a reset button, a fresh new start. Also, haha fun fact, the random sharpie lines were a result from listening to fast pace rock.
This doodle depicts a transitional phase in my college years. Illustrating one of my favourite rappers, drinks, snacks and one of the iconic buildings in London; this doodle is full of colours varying in throughout the page and popping out with contrast.
A sketch recalling an era when smoking indoors after a meal was commonplace—a fleeting pause of stillness before continuing the journey ahead. Done with mechanical pencil on scrap printer paper.
This is day 1 of drawing Sonic characters and it’s the man himself. Sonic is very fast who lives in green hill zone, loves eating chili dogs, and bashing Dr, Eggman and his machines. No matter where he goes, he will always keep on running. Sonic belongs to Sega
Every once in awhile, this poem floats to the top of my head and I taste plums.
This Is Just To Say
William Carlos Williams - 1883-1963
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
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