Autumn is a peculiar time, I suppose. It's one of the prettiest times of the year (in my opinion) and one of the most mysterious. I'm not sure what it is that leads to it, but my mental state always shifts dramatically during this time, not always in the best way. I don't know. The transition is darker and murkier.
This painting is a technique I enjoy mostly because I see figures in the ordinary and draw them out from what I see in abstract backgrounds I paint. In it you see a group of people enjoying time together. I used Acrylics on Aquaboard, a surface especially made for many layers of wet media.
This is the first canvas in the work.Its based on a sketch I did. I did five pieces, and this is #1.It is a self portrait.The reason for three figures is that it is meant to repersent motion.
Medusa has always been one of my favorite mythology figures . And ... well, here comes the rant , I'll never quite forgive Athena for making her like this . Ironically, I've only really seen Medusa in her monster form , and this form , in all its unique fierceness , is what I've always been attracted to . I know I'll probably get a lot pf flack for this ... so I'll just quit while I'm ahead . Enjoy the cute pic .
Tao Te Ching
“A great nation is like a great man:
When he makes a mistake, he realizes it.
Having realized it, he admits it.
Having admitted it, he corrects it.
He considers those who point out his faults
as his most benevolent teachers.
He thinks of his enemy
as the shadow that he himself casts.”
~~~~~~~
CIM Chapter 10
88 Children perceive terrifying ghosts and monsters and dragons, and they are
terrified. Yet if they ask someone they trust for the real meaning of what they
perceive and are willing to let their interpretations go in favor of reality, their fear
goes with them. When a child is helped to translate his “ghost” into a curtain, his
“monster” into a shadow, and his “dragon” into a dream, he is no longer afraid
and laughs happily at his own fear. You, my children, are afraid of your brothers
and of your Father and of yourselves. But you are merely deceived in them.
Chapter 12
35 It is through these strange and shadowy figures that the insane relate to their
insane world. For they see only those who remind them of these images, and it is
to them that they relate. Thus do they communicate with those who are not there,
and it is they who answer them, and no one hears their answer save him who
called upon them, and he alone believes they answered him. Projection makes
perception, and you cannot see beyond it. Again and again have men attacked each
other because they saw in them a shadow figure in their own private world. And
thus it is that you must attack yourself first, for what you attack is not in others.
Its only reality is in your own mind, and by attacking others, you are literally
attacking what is not there.
36 The delusional can be very destructive, for they do not recognize that
they have condemned themselves. They do not wish to die, yet they will not let
condemnation go. And so they separate into their private worlds, where everything
is disordered and where what is within appears to be without. Yet what is within
they do not see, for the reality of their brothers they cannot see.
41 Vision depends on light, and you cannot see in darkness. Yet in the darkness
in the private world of sleep, you see in dreams, although your eyes are closed.
And it is here that what you see you made. But let the darkness go, and all you
made you will no longer see, for sight of it depends upon denying vision. Yet from
denying vision, it does not follow that you cannot see. But this is what denial does,
for by it you accept insanity, believing you can make a private world and rule your
own perceptions. Yet for this, light must be excluded. Dreams disappear when light
has come and you can see.
Rendition of Michelangelo pre-sculpture sketch work two men fighting 4 ft by 3 ft. Corinthian column added original 3 ft by 2 ft. Done on wall in home with 14 number 2 School pencils over a 2-week..
Currently exploring image making with fountain pens: immediate mark making, no pencil, no eraser. I'm enjoying the discovery process and embracing the stray mark made with semi-blind contour and continuous line drawings.
Created using pen and ink, this drawing mimics a fine art painting I saw in a museum. I loved the figures and their fluid movements, so I doodled it down in my sketchbook and later inked it in for a refined black and white artwork. Check out more on my website ArtsyDrawings.com!
(2B pencil on 178mm x 114mm paper) An image of a line of shadowy figures, all chained together, going hopelessly and reluctantly in the same direction. Above them is a wisp of some scent or sound that was never meant for them.
I had a lot of fun drawing this but still haven't felt bothered enough to complete the right hand. Just decided that it is tucked behind the figures back because it was too hard
