First illustration of Tehuacan tetra, Astyanax tehuacanensis that is endemic to the Río Salado (Gulf of Mexico versant), south of Tehuacán, Puebla, and part of Oaxaca, Mexico. Technic: mixed media (graphite and digital color).
This is a graphite pencil drawing of a hunting hawk somewhat loosely based on a photo. The reference photo is from: Birds of Prey by Paul D. Frost (Paragon Books Ltd 2006) and credited to Martin B Withers/FLPA. I found the book in the Goodwill a couple of month ago and was much inspired by the beautiful photographs.
I don’t know, I doodled on my hand and took a photo of it and edited it. I personally think it looks cool but that’s just my opinion. -I have depression, and have been/am a cutter so that explains the words written.
Early morning camping trip! This week I've *resurrected* my instagram. It's @gouacheandink or https://www.instagram.com/gouacheandink/ Hope you all have a happy 4th of July :)
Artwork on "the other side" - playing with the bleed-through from the watercolor and intuitiviely allowing the shapes to arise. Created using watercolor, coffee, ink, graphic pens and unipen
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
These illustrations are part of an ongoing series on anxiety I started in early April 2018, as part of #The100DayProject. (See @helloanxiety_illustrated on Instagram to see more complete stories of each individual). This project is an extension of the fear illustrations I've been creating since 2012 (www.fear-illustrated).
This is one of my daily contributes to the 100 days project. I am doodling over a fashion magazine and documenting my journey on Instagram. Anyone of you are participating to this challenge?
Doodle with Pentel brush, and posca! A little bit note to self. "In between goals is a thing called life that has to be lived and enjoyed." by Sid Caesar.
