Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
The form of Martial Arts introduced by Bruce Lee embraces `being formless’ as a central idea. Sharing this belief, my works do not start with an intention of what to make, but rather the process is to follow-through to what the works wish to become. In Jeet Kun To, the practice is to `be water’, to react and to blend. Instead of following the artist’s desire to direct the brush, I enhance, without an intention to change or render. The composition dropped from elsewhere as a message and is polished to shine.
This is NOT my artwork, this was given to me as a graduation gift from my brother. This was during the drought so not a lot of us could get a bouquet of flowers, my brother asked our art teacher to do an extra print for me. When I found this in my gift bag I was already emotional and almost cried. This was better than a bouquet of flowers, one of my favourite birds in my favourite medium.
Jung here. Done 2022 with color pencils on 11x17 bristol. Original art is up for sale $150 (shipping fee will apply) USD email me and open for private commissions as well jungmeister4@yahoo.com ALSO My art book is available to purchase. To purchase my art book hit the link.
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Books&CPID=1133
This illustration is inspired by a popular show "Alice in Borderland". This is the scene where Banda and Yaba walk together as equal partners. Their trust and equality were key in defeating the Jack of Hearts.
Flight of the bumblebee The lifecycle begins in spring, when rising temperatures awaken a queen bumblebee that has been hibernating alone in the soil. The queen will have spent the entire winter underground, using up reserves of energy stored as fat in her body. When she first emerges, she feeds on flowers, drinking nectar to gain energy. She will then begin to search for a suitable nest site. Frequent nesting sites include holes in the ground, tussocky grass, bird boxes and under garden sheds.
"Somehow, they've managed to cultivate grapes that have outlived the sun. Our world may be a dim ember, but I intend on enjoying what little joys are still afforded to humanity. Surely you cannot fault my occasional indulgences."
-- Zen - 'Knight of Wands'
Tycherosi bartender at the Front Shelf
The Dutch are experts at riding one handed while holding an umbrella or snack in the other hand. Although a good set of rain pants is much safer. From my Bikes of Amsterdam series.
What happens to the animal kingdom once used and abused for human entertainment? This drawing represents the spirit of those creatures, once killed for sport, taking their rightful revenge on mankind. There's no room for bullfighting in modern society.
I wanted to explore a fictional future that combined traditional fantasy races with a cybernetic future. An elven adventurer takes a health potion, depicted as a futuristic vape, before heading off on her next quest.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Another pleasant illustration for today! Who does not like a little break at the strand without having any cars or boats or anything distracting around. Just some beautiful way to spend outside. And why not.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Another flower demon heavily inspired by Slenderman.they are mute and faceless.they aren't that dangerous, they are actually known to be a gentle giant.they have an affinity for everything nature.they are also a dimension traveler.height is 7.0
The Edge of Night
We are living in the days on the edge of night
You can see the darkness swallowing up the light
As the world of man accepts wrong for right
Time is short, and it is foolish to waste it
By debating with skeptics that faith in God is intellectually
bright
We are living in the days on the edge of night
The enemy’s delusion is thick
So, walk by faith and not by sight
Don’t lie around sunbathing in the light
We must pick up the banner of Christ
And work as long as there is light!
(January 23, 1994)
Somehow the tree trunk looks like a female figure to me.
I'm not sure if I really like this illustration, but my imagination plays here a lot.
I could draw a bit lighter background to make more contrast for the tree trunk. What do you think?
