I've started a new sketch book (one of many, lol), which I am dedicating to ink drawings only. No pencils, no watercolours, just pen and ink :) I drew this doodle today with a Uniball pen and a light ink wash for the space sky. No reference, totally made up. Mistakes and all! Available as stickers and other goodies on Red Bubble.
Sketchbook is Stillman and Birn Alpha - I love, love, love the whiteness of its pages!
The Sunbeam and the Troll. Illustration of famous Finnish song. I draw three versions of it. Top of the drawings is last and then second and first one. I try to catch idea that Sunbeam fairy is more made of light than materia. Pretty tricky to me ;)
”When sun had ended its mission,
The last Sunbeam
Was left behind her sisters for a moment.
The dusk was settling on the grounds,
A Sunbeam with golden wings
Was just about to fly before it,
But she saw a small Troll come across:
It had just risen up from his cave.
See,a Troll before the twilight
May never live on earth.
They were looking at each other
The Troll in his chest
Felt an odd flame.
He said:"You are burning my eyes,
But never in my life
have I seen something so wonderful!" It doesn't matter that your brightness will make me blind
It's easy to wander in dark.”
A boat floats at the center of swirling, vibrant blue waves, creating a sense of motion and energy. The contrast between the warm tones of the boat and the cool hues of the water highlights the image's dynamic composition.
My submission for the Doodle Addicts album cover challenge. Thank you so much for the votes, I appreciate them all! Here's the original description for the submission: Future you calling is a group that mixes electronic pop and rock with some vintage and retro vibes thrown in the mix. To Whom It May Concern is their newest album. It's like that strange record that you once found on the slightly shady flea market that closed down after one month. You wish you had bought it back then, so now is your chance to repair the damage and get this album instead. It's almost the same. We promise. (Future you calling is an invented band. I'm not musically skilled enough to make the band reality but I can always imagine how their albums would look like if existed. This illustration was painted in Photoshop using reference photos found on Pexels.)
This is the next redo on tap. It's a watercolor painted in about 2006. Likely I'll only change values of the leaves--the lighter ones. And I will try to define the yellow petunias better.
Why are you so melancholy?
Monday blues?
"English as She is Spoke" is a delightful example of incompetence and bad judgement. Jose da Fonseca and Pedro Carolina set out to write a Portuguese-English phrasebook. The only problem was that they didn't speak any English. They did know some French and armed with French-English phrasebook, dictionaries and enthusiasm they brought forth this book. Mark Twain was an early admirer of this book. "Nobody can add to the absurdity of this book, nobody can imitate it successfully, nobody can hope to produce its fellow; it is perfect, it must and will stand alone: its immortality is secure."
Malik straining to keep the twisting pose. Decided to leave this one as a slightly rough red Bic pen sketch for now. There’s something to be said about the energy found in the work-up drawing.
as an artist I manifest my emotions through my doodles. I was going through a rough spot with my mental health back in 2016. This doodle would always light me up. I hope it does the same for you
My vision of the character ‘Smaug’ from J.R.R. Tolkien’s ‘The Hobbit’.
Pencil sketch, coloured digitally on IbisPaint X.
Here is a passage from The Hobbit describing Smaug’s appearance: “There he lay, a vast red-golden dragon, fast asleep; thrumming came from his jaws and nostrils, and wisps of smoke, but his fires were low in slumber. Beneath him, under all his limbs and his huge coiled tail, and about him on all sides stretching away across the unseen floors, lay countless piles of precious things, gold wrought and unwrought, gems and jewels, and silver red-stained in the ruddy light. Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed.”
I found a Gap ad in a 90s Vanity Fair magazine; the background was completely white, perfect for doodling a background on it. I also highlighted the woman's freckles and lips with a bronze Sharpie.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
