Teaching painting is a great task to ask of a person who doesn't paint. I do not paint. I teach the manipulation of media through experience. "Learn from doing!" I say. Monochromatic pastel exercises help my students to get a handle on the media. We explore value and composition and the handling of media. Sometimes happy accidents occur. This was my example to the teens on composition and value. It is a journey.
This is my boy Sebastian. He is a collaboration of Ichabod Crane and Dracula, he was just born today. I have a least a few pages full of his sketches.
Type: Vampire
-Hopeless Romantic
-Comfortable within his castle
-Kind
-Can be easily scared, but when it comes to those he cares about will fight for.
-He is VERY clumsy
A stylish woman pedals her way through town on a vintage cargo bike, flaunting her sleek black beret and boots. Her loyal passengers, a fabulously fluffy poodle and a dapper little bulldog sporting a pink scarf.
The poodle, clearly the queen of the ride.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
A young woman tossed into a strange world in an attempt to prevent harm to hers, discovers she is connected to it in ways she never imagined. Violet is declared to be a new Archfey Queen and budding goddess of Magic. Having been raised in a world where magic was thought to be an archaic belief, to suddenly being it’s master throughout the eons was needless to say, a terrible shock.
When i was younger & used to wear bright , colourful frocks , i always saw butterflies around me & i wanted to catch them. Growing gradually, now , i realised that the real joy of seeing a butterfly is not by catching it , rather to let it free & embrace the natural beauty.
it is a tangle I made for my fake art class. I used a marker, tech pen, and pencil. took I hr and 7 minutes.it was very fun and relaxing.i felt more relaxed than before
Starring The Beach Boys: Good Vibrations (1967). Featuring Joy Division's Unknown Pleasures (1979). Let me tell you a story about a tragic genius ahead of his time. About a songwriter who wrote his songs on a piano situated in a sand box. About a musician combining a variety of tapes to create this carefree beach sound. About a man who was afraid of the audience and who broke down under the pressure. Tricolor linoprint using one lino plate. June, 2020.
Pen and ink colored in Photoshop. It just felt to me that she was getting the morning news from the dragonfly. This image is used in my card game, "Wards of Meadowshire".
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
This one kinda just came together after I doodled the guy too high up on the page. I really liked how he turned out tho so I had to figure out a way to keep him in it...
