This looks simple, but i spent days researching to get the buildings and clothing right. There was also a lot more layers than i planned for. This buildings are still in use, there are different shops in them now. Sadly they no longer have those colorful decorations,
Mantid on a rose bud was done on Strathmore Bristol with Derwent Graphitint (tinted graphite) pencils. I love these insects and they are all over the rose bushes this time of year. I tried to capture her natural grace and beauty as she stepped down from her rose bud perch while eyeing her prey.
All the faces above have the same blot or cloud as a base. When I am sick of the faces I draw automatically, I make a nice, oddly shaped blot and then look for faces (or whatever) within it. This time I did it digitally so I could see how many different faces I could get out of the same cloud. This time I stopped at thirteen, but I am sure there is more.
A silly watercolor sketch, I know, but there's a lot tied to this little thing. There are so many bittersweet feelings lately. I tend to avoid putting a numerical value to time, I don't like the count-down aspect to things, especially knowing how obsessive I can be with that. It allows me to live in some semblance of ignorance (they say ignorance is pure bliss). There's a lot of tip-toeing around what I want to say and what I'm afraid to say, or even what I'd love to explore and embrace and simply afraid to. It's something I'm not used to. It's taken me quite a while to finally sit with certain things, or even acknowledge them, and it feels like there's so much more I'm now realizing. It's odd to be so frank to some and worried that others may find out. There's a lot of shifting again, goodbyes coming soon, complicated feelings and situations.
I wanted to challenge myself with a different type of drawing without spending too much time on it. I am pretty satisfied with the results. It came out looking a lot more disgusting than I intended but it still works. lol Done in Graphite and Watercolor.
It's National Toasted Marshmallow Day so this painting seems fitting. What do you think will happen to this guy? About 14 x 14 inches, acrylic on wood board. Sorry not the best photograph.
Here is a pencil drawing of actress Charlize Theron. I used Cold Greys and black from the Faber Castell Polychroms range of color pencils on Strathmore Bristol Smooth (series 300) paper. Many thanks for looking
Inspired by the colors of chemical element: Bismuth (with symbol Bi). Watercolor + Ballpoint pen on 140lb Strathmore Vision watercolor paper (Size: 6” x 9”)
"Man on the Train: Hey, are you a dreamer?
Wiley: Yeah.
Man on the Train: I haven’t seen too many around lately. Things have been tough lately for dreamers. They say dreaming is dead, no one does it anymore. It’s not dead it’s just that it’s been forgotten, removed from our language. Nobody teaches it so nobody knows it exists. The dreamer is banished to obscurity. Well, I’m trying to change all that, and I hope you are too. By dreaming, every day. Dreaming with our hands and dreaming with our minds. Our planet is facing the greatest problems it’s ever faced, ever. So whatever you do, don’t be bored, this is absolutely the most exciting time we could have possibly hoped to be alive. And things are just starting" - waking life (movie).
°
So the other day I had a beautiful conversation about lucid dreaming with some friends. We shared amazing dream memories that we all had experienced and right the next day this sleeping beauty started showing up on a piece of paper.
What about you, are you a dreamer? :)
♠️
This project consist of 3 different gouache/ watercolor paintings with pencil details on top. I actually made these for a specific purpose, but I made make more, since I really enjoyed making it!
Heard about a supposed art fight, got no idea what that is but I brung my sword to the fight..
Also I took advantage of this to try and study the style of @Dominik Mayer, @Artem Chebokha and @Andrew Maleski (once more)
Recently I saw beautiful Van Gogh exhibition. I really enjoyed movement of his brush and vivid colours. It was more about energy and feelings than realistic details.
I am always gravitating towards realism and always want to spend more and more time perfecting paintings like they are never really finished so this time I decided to challenge myself not to do that.
Alas. Alas.
Definitely need to use this word more often. Alas, I don’t have a lot of opportunities to do so.
https://www.instagram.com/p/CrQvNHEOYol/?utm_source=ig_web_copy_link
Pastel pencil study of the intertwined hands of the Ambrogio Borghi sculpture, Chioma di Berenice. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
This was drawn in Spiralty (a free Windows program) and colored in Photoshop. Great fun and very relaxing. I am definitely going to be making more mandalas during the rest of the pandemic.
Running Late. The personification of the reaper running late for his next appointment.
10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
This is my first plant abstract in over six months because college takes up all my time during the school year now. This one was supposed to be more pastel, but the scanner washed out some of the lighter colors.
This is my crazy, wild, and extroverted Australian Shepherd. Her name is Tasi. I have found myself pretty busy during the quarantine and haven’t done much art. Hopefully I can find a schedule and upload more frequently.
Berlin Breitscheidplatz this August, late evening. people strolling in spirit of leisure and liberty. Since Mondays brutal assault we wont pass by carefree any more - we will remember the victims but keep liberal people, that stroll through warm nights.
This is my first attempt at doodling some trees and it most certainly was not an easy task. I hope as I practice that I will be able to draw more detail and a variety of trees. Special thanks to Jean Garro (@Gentoo201) for the inspiration with her awesome drawings! ʕ•ᴥ•ʔ♥♥ Thanks girl!
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.