mountain

He wanders the fields, the mountains an the forest. With a little bit of luck, you can meet him and he will make a little concert. These little guys met him at the river. this is a drawing i stared aloong time ago. Now i decided to finish iit. when you look at the second picture, you can see the reference i used. It was really cool to play around with it :) wish youu a wonderful daay!!:)

Watercolor painting on paper 19 x 26 cm.

Loosely inspired while playing a game Far Cry 4. I like the environment of the high mountains, the Himalayas, and Buddhism and Hindu art references. The bell is cracked like the Liberty Bell, which always reminds me of Leonard Cohen lyric "There is a crack in everything, that's how the light gets in."

It's Elijah the prophet ready to slay some prophets of Baal! Attack! lol. He stands before Mount Carpegna, he does like mountains after all, especially Mount Carmel. I drew this awhile back because I like to especially draw the saints that the monks are named after. Saint Elijah pray for us! #Elijah, #Prophet, #Judaism, #Christianity, #Catholic, #Carmel, #Mountain, #Carpegna, #Sword, #Battle, #Victory

Bernese Mountain Dog, Doodle 7.23.21

as you see im working in oil paintings,,,,,just need your help!!your opinion!!please help,,,,if you like of course,,,,,,,,,

Lawrence Grassi Mountain in Canmore Alberta!

And here it is: The Transfiguration! in color ^_^ Elijah and Moses with Jesus and the Apostles from left to right: James the Greater, John and Peter. I have his stigmata in gold because we hadn't recieved the wounds yet but this vision is a big revelation and confirmation of His divinity and mission so I put some signs there, but the apostles would not yet understand, but after they would. Matthew 17: 1-9 [1] And after six days Jesus taketh unto him Peter and James, and John his brother, and bringeth them up into a high mountain apart: [2] And he was transfigured before them. And his face did shine as the sun: and his garments became white as snow. [3] And behold there appeared to them Moses and Elias talking with him. [4] And Peter answering, said to Jesus: Lord, it is good for us to be here: if thou wilt, let us make here three tabernacles, one for thee, and one for Moses, and one for Elias. [5] And as he was yet speaking, behold a bright cloud overshadowed them. And lo, a voice out of the cloud, saying: This is my beloved Son, in whom I am well pleased: hear ye him. [6] And the disciples hearing, fell upon their face, and were very much afraid. [7] And Jesus came and touched them: and said to them, Arise, and fear not. [8] And they lifting up their eyes saw no one but only Jesus. [9] And as they came down from the mountain, Jesus charged them, saying: Tell the vision to no man, till the Son of man be risen from the dead.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

this is my attempt at drawing a mountain. the shading is done by using a bunch of little dots on the darker sides.

Acrylic on canvas. Night and day water bridge with mountains

A country landscape done with a black fine liner pen and aqua brush pen on paper.

Based on a vacation last summer. Looks best big.

Blue ink (Lamy fountain pen, F point).

Lines become mountains, trees, plants ...

It is the best time of the year for enjoying a Little bit of winter fun! Love to be in the mountains!

Here's one of my older sketchbooks. Started in the snowy mountains of Austria.

Day off in something like Kyoto… to paraphrase a Phoebe Bridgers song.

Lindsey's prompt: Our Dog, Morph. He's a mountain cur

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one single journal at a time. I also have super ADHD, which means I pretty much never go up to my actual studio and usually only use what's out on my desk, because out-of-sight-out-of-mind.

This is where I grew up.I lived in the mountain region, for most of my life before I moved into a town. The town I live in now is located near a huge wildlife reserve, and thats were I get my new landscapes from.

A very experimental work.

This time last year I was in the midst of starting off my (then) new sketchbook... And what do I find myself doing tonight? Sticking to the same script with yet another one, that’s what!

I finally got back to a non-digital pen for a little while. Working on a few mountains right now for a project.