This is my first full landscape project that I painted for a skillshare course. It was frustrating at times but I really enjoyed working through the multiple steps of this painting. I wanted to see what I could do it I pushed myself and I am happy with the final painting. I need to focus some more study on trees in the future, I like how the foreground tree came out, the forest edge was much more difficult. I attached the progess photos of this painting from sketch to final piece
I painted this as my project piece for course on Skillshare: https://skl.sh/2O4p8Gp
Here are my progess photos: https://www.skillshare.com/projects/Sacred-Valley/209235
In wanting to get active with my fellow doodler community, I wanted to stop in and introduce myself. My name is Dalton Stark, I live in Texas, and i'm a doodle addict, and an advocate for the possibility of anything. For me, doodling is my purest state of being human. My sketchbooks are a very sacred place for me to practice this expressive and arcane form of imagination meditation, which I'm always trying to find more excuses to spend more time in. It is to me, all about intuition, making discoveries, surprising yourself, having fun and maybe even making yourself and others smile or laugh sometimes. I look forward to being a part of this beautiful inky ecosystem with y'all, here are some very secret sketchbook spreads.
I have avoided social media for a couple of months now as it was making me unproductive, unmotivated and all-round less creative. I miss the community of creative social media so I have made this account to post my art anonymously: good or bad; finished or not; unedited and unfiltered. I hold back a lot when making art and even more so when publishing it. This is an opportunity to change that. This is a quick self-portrait just to force myself into creating anything today.
This painting was developed from a photo shoot at Presquile Provincial Park in Ontario, Canada. The bobcats were designed and posed by myself. The details of the fur were from research.
Sketchbook #11.
Since the 100heads challenge was real tiresome for me, I devised myself another challenge - "50 heads". Basically it's a "100 heads challenge", but for lazy people) The rules are simple: I had to draw 10 two-page spreads of 5 heads, no time limit, no nothing. And I decided to use different materials for each spread.
Spread #1 - ballpoint pen (+ a little bit of watercolour) - NEMOPHILA.
After experiencing a DNA surprise/shock earlier in the year I needed to express my feelings in my artwork. Conception is a representation of how random life can be. A sence of belonging yet somehow not belonging and finally being able to link together those aspects of myself.
This illustration tells me that I need to push myself forward. I was in my comfort zone while painting. And I didn't go out.
It's an important lesson for me. I'm glad I can analyze it and draw conclusions.
My 100 day project has basically switched over from digital drawings to watercolor. This is a spread in my sketchbook from the transition. Took a few days but, I am starting to feel like myself when using the medium again. Just needed to reactivate some muscle memory.
For Inktober this year, I am following along with Lisa Congdon’s CreativeBug course. I’ve made a few extra rules for myself for an extra challenge which includes trying to maintain a mostly black and white theme. Excited to see where it takes me.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
I pride myself for not being into internet drama or spreading gossip, but i do have a guilty pleasure. Mohammad agbadi is a youtuber who talks about problems with the art community, like tracing, theft, harassing and difficulties with etnic representation. Hopefully he wouldnt mind me borrowing his face to practise drawing black men... even though i heavily overworked his skin.
It's my third illustration with a lantern theme.
I had doubts while drawing this illustration. I changed the concept a few times. And I'm not sure if I got the expected effect.
But I'm not afraid to share it and say: "this illustration could be better."
It gives me the motivation to work harder.
It gives me reasons to push myself forward.
Have a creative weekend!
My name is Yasia Kagan (Tsarevski) - i'm artist, painter and teacher. I was born in a family of architects and painters, in a special atmosphere imbued with creation and art, love for aesthetics ...
Since I remember myself I was painting, this was always part of me. It wasn’t be me without painting. But I have paved a long way to where I am now - today I paint every day by teaching people and open their eyes to the amazing world around and within them. I started drawing black and white graphics, but since than I evolved my style by adding colors. Now I have found a combination that can express best what I want to see and feel.
I am director of a painting and creation studio "The Magic of the Brush" in the growth of the network of experience in Carmiel. I was born into a family of architects and artists, painting and a passion for art have fascinated me all my life, I started with black and white graphics like a forest of books and slowly rolled into color painting. The creation of all work makes me alive - I feel, I think, I understand.
I believe that art is a way of life. I Want to bring it to as many people as possible in order to make our world a better place.
Here are two of my paintings that are some sort of combination of graphics and color.
Hebrew:
אני יאסיה קגן (צרבסקי) ציירת, אמנית ומורה לציור. מנהלת סטודיו לציור ויצירה "קסם המכחול" בצמיחת רשת המתנסים בכרמיאל. נולדתי במישפחה של אדריכלים ואמנים, ציור ותשוקה לאמנות ליבו אותי כל החיים, התחלתי בגרפיקה בשחור לבן כמיערת ספרים ולאט לאט התגלגלתי לציור בצבע. מצירת כל משאני מרגישה, מש אני חושבת, מש אני מבינה.
ציירת, אמנית יאסיה קגן צרבסקי.
צייר ו מורה לציור מאמינה ש אומנות היא דרך חיים. רוצה להקיר אותו לכמה שיותר אנשים בשביל להפוך את העולם שלנו לטוב יותר.
מציגה כאן שני ציורים שלי שהם איזה שהוא שילוב של גרפיקה וצבע.
I had to improvise a bit. I found myself rummaging for colored pencils so I drew my outfit today with the ones I had. Notice that I am painting because I’m out of pencils. My oversized sweatshirt is really a periwinkle blue.
19 years old yet I still have to do my best to become a professional artist and well...successful animator one day to release about 6 animated series!i finally made a birthday drawing for myself!and a scrumptious cake too! honestly I don't feel like Im 19 but thank goodness I had a fun time!and a delicious dinner!
This sketchbook is all about triangle patterns! Each page starts with a base layer of connecting triangles. From there, I fill in different patterns on each page, challenging myself to come up with new ideas for each page.
Sometimes I like to challenge myself and draw something completely different and full of details.... this was a bit tedious :) but I am glad I did this, it was a great workout for the brain!
Hi. Am I hard to see? You are free to look closer.
This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity.
Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.
I have been teaching myself stippling. This is a work in progress on a birch tree bark. I've always admired birches and have strong childhood connections with them. I am a keeper of some very fond memories of our summer house and three beautiful big birch trees in the yard. I could sit under them for hours: watching the delicate leaves dance in the summer breeze; watching them turn golden during autumn; feeling my way around on their uneven bark full of valleys and crevices.
My right brain says “huge and kisses her right now, dude !”..but, my left brain says “don't do that! are you crazy?” “Oh my god…What happen here…” my heart was confused and asked me to bring myself back! You are not a real girl. you can buy my art print if you like it, on : https://www.redbubble.com/i/t-shirt/The-problem-of-the-artist-by-misahiraysa/118704924.NL9AC
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
This sketchbook is all about triangle patterns! Each page starts with a base layer of connecting triangles. From there, I fill in different patterns on each page, challenging myself to come up with new ideas for each page.
Before getting to this result, I never a actually drew a full fledge skeleton before. So rather than take on the entire thing at once, I took it upon myself to only focus on the upper half of the body. I’m still practicing human anatomy for drawing but I hope overtime, it only improves. :)
