Wolfgang Amadeus Mozart
In a 1782 letter to his sister, he gave a detailed account of these hectic days in Vienna:
"My hair is always done by six o’clock in the morning and by seven I am fully dressed. I then compose until nine. From nine to one I give lessons. Then I lunch..."
From "Daily Rituals: How Artists Work", edited and with text by Mason Currey.
I originally drew it on paper but then afterwards I quickly ruined it I decided to draw it digitally again,she's another food person oc,I wasn't supposed to draw her until later on but she was fun to draw
At the top of Pentregwenlais near Llandybie is Gwenlais Quarry. In itself, the quarry is quite beautiful with its sheer rock faces and the way that nature has started to reclaim it. This scene is one of the paths that leads down from the top of the quarry back towards Pentregwenlais. I was going to do it as a pen & wash but by the time I'd finished with the watercolour I thought it was too complex to start putting ink in there. Watercolours on watercolour paper (6x8")
Omens and Superstitions.
In Japan there is a superstition that if a cup or glass containing medicine for a sick person is accidentally upset, then it is an omen of that person's speedy recovery.
From "A DICTIONARY OF OMENS AND SUPERSTITIONS" by Philippa Waring
"If Madonna's allowed to reinvent herself every 15 minutes, I figure I should be good for a change at least once every 20 years." - “Weird Al” Yankovic.
This colorful painting was created using gouache paint to give an illustrative design feel. The subject is a cow painted using non-local colors like pink and violet, contrasting the orange sky background. I love the small clover flower the cow appears to be smelling in the foreground of this piece. For more in my gallery, please visit ArtsyDrawings.com!
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
