I watercolored Mathilda's Ms Trunchbull as well as Bride of Frankenstein. I originally painted Lady Frankenstein in green, but it turns out she's a human-skinned person, so I had to change that in Photoshop.
There's a moment in Black Panther where Michael B Jordan's character steals an African mask from a museum. When the other character with him asks why, he says "I'm just feelin' it." The mask he grabbed was VERY cool, and I kind of wanted one, too. But, short of stealing things out of museums, I guess I'll have to draw them. If you click on the image, you'll see a full spread of them.
I had this bizarre dream recently that I saw some
maniac driving in circles around my neighbourhood in what looked like a Reliant Robin, ready to crash into whatever they could at any given moment… yes, my mind (awake or asleep) works in weird ways but it gives me ideas so, hurray?
A 1000 piece jigsaw puzzle I recently painted as as gift for my grandma on her 85th birthday, using objects and photos of significance from her life. :)
A quiet moment before escape.
Time is counted, tools are gathered, and the destination is already marked.
The treasure isn’t taken yet—not because it’s unknown, but because patience is part of the journey.
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
Hello. My name is Jenna. As a child, I grew up in an abusive household, where my dad would do some pretty messed up things, as well as gaslight me. My dad has been out of the picture for a while, but I still have a lot of feelings and trauma left over from him. I wanted to represent what being gaslit, felt like to me. Now without further ado, my impression of gaslighting.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Urh.-Nr:1811955
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Copyright by Carolina Matthes
This is the second painting of my dragon series, and it was actually the moment at which I decided to make it a series. It was at the beginning of this year when I was trying to decide on a topic for a series to exhibit. I had gone through quite a few subject matters and even started researching on one of them, when I got really mad at a relative's attitude and just felt the need to paint a dragon. And with a second finished dragon piece in hand, I said: "This is it. I'm gonna make a series on dragons."
The symbolic painting "Expectations" is filled in with both literal and metaphorical meanings. Time passes very quickly, but when we are waiting for something, it practically stands still. Expecting an event can be unbearably tiring, or it can be enjoyable. It all depends on the circumstances. And everyone can remember something similar. The girl depicted in the painting is possibly expecting a child, or perhaps some other event. She gently hugs the clock, a symbol of time, like the belly of a pregnant woman. This expectation reveals all her inner feelings, doubts, fears, and hopes associated with this event. Time drags on for an impossibly long period, so long that it seems to her that she has already grown old from this expectation. In the painting, the artist indicates this with the gray hair of a young girl. Despite the long wait, the girl smiles and hopes for the best. The artist used warm pastel colors of oil paints on canvas with gilding. The painting was created using clockwork to enhance the meaning. The artwork "Expectations" is part of a “Time” series of paintings with clocks.
"its okay", he said to his friend.
this is a drawing i started awhile ago. while working on it there where moments were i felt sad and it cheered me up.
The giant is inspired of the Forest Giant in the series "Hilda". After i watched the episode i really wanted to draw a giant. Now, some months later i finished the drawing and i had really fun. ☺️
thank you for reading, wish you a wonderful day!
Bob Marley-től egyszer megkérdezték, hogy létezik-e a tökéletes nő.
Erre ő azt mondta:
-Kit érdekel a tökéletesség?
A hold sem tökéletes, tele van kráterekkel....
Mi a helyzet a tengerrel? Túl sós, és sötét a mélyben.
Az égbolt? Mindig olyan végtelen, vagyis a legszebb dolgok nem tökéletesek, különlegesek.
Minden nő, mint minden férfi, és minden ember kiválasztja, hogy ki a "különleges" az életében.
Ne akarj "tökéletes" lenni, hanem próbálj szabad lenni, és élni azzal, amit, vagy akit szeretsz, anélkül, hogy mások tetszését szeretnéd!
Festette: Ildikó Tuloková ༄
I like imagining static objects having human feelings and expressions. This little plumb one is telling me its emotion of the moment, perhaps contemplative sadness? Waiting for its time to shine?
