Hello. My name is Jenna. As a child, I grew up in an abusive household, where my dad would do some pretty messed up things, as well as gaslight me. My dad has been out of the picture for a while, but I still have a lot of feelings and trauma left over from him. I wanted to represent what being gaslit, felt like to me. Now without further ado, my impression of gaslighting.
this is the shadow i see whenever i go downstairs i think shes my other mother She has black hair and a dress gown on and she would never show her face not even to me either but one day we will stay together forever she says and she has no shadow under her
I have a Webtoon called The Peculiar Scribble. I am completely redoing and rebooting the series. The series only has one chapter at the moment. But I didn't like the start of it, so I'm giving the chapter and the rest of the series a fresh new start. I will hope to have the whole chapter posted to Webtoon by the end of the month. This is a sneak peek of the comic cover art. This character means a lot to me and comes from the very depths of my black inky soul.
Fairly recently I was "commissioned" to paint a picture of my cousin and grandmother. I'm pretty happy with how it turned out, but painting this was a bit of a challenge. There were definitely moments where I stopped painting and completely hated how it looked/became frustrated with myself, and I wouldn't work on it for days. I felt an odd pressure attached to making this... or maybe I'm crazy. 16x20, acrylic.
It's an odd feeling to reexperience the old anger and frustration I thought I had overcome, but, in all reality, I've been letting it creep back in for a while now. There was a moment of fear, it's still in the back of my mind, I'm afraid to slip back into the mental place I was a couple of years back. I'd like to say I've finally realized that it's ok to be afraid, and even a bit frustrated, but it's a matter of how I handle those emotions and my own reactions that make the difference.
It has been a delight to share with my students the incredible resource of people. Over the years, I’ve had the great privilege of connecting them with inspiring individuals such as Lois Ehlert, Dave Nice, Gregory Martens, Colette Odya Smith, and—as seen in this “Behind the Professor” sketch—Dr. Gaylund Stone. There’s something powerful about the presence of someone who lives their craft with humility and depth. In moments like these, my students are reminded that more is often caught than taught.
I’m 32 days into a 100 day project of little paintings to reclaim moments of creative joy with no strings attached – a daily reminder of what made me want to be an “artist” in the first place. I’m posting daily on my Instagram account @stephdillondesign
The past two days have been interesting, to say the least. My anxiety kicked up again, yielding two more panic attacks...oh joy. There's an increasingly chaotic external environment: COVID-19 positivity rates rising, looting, SAT nonsense (thank you College Board for not giving anyone information and for being very uncooperative). Am I angry at people in the world? Yes, and I know that's a generic, over-used phrase, but I truly am. I'm tired of all of this. I'm aggravated with the current state of the U.S. There's moments where things feel fine, and others when it feels like things are closing in. No one knows what the next few months will bring and tensions are high. Will things work out? They will eventually; they better. But, at the same time, what the heck is even going on anymore?
This is part of a beautiful moment that was created as I was painting on these mini watercolour sheets. During the journey, I painted around 5 paintings. This is the first painting I painted during my train journey. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted them this. More on the way ....
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
This sends a message to all the women out there to keep on shining, keep blooming, growing and slay to whatever you do. I used sakura koi Watercolor, monologue watercolor paper, crystal gold fine tech and Tokyo Finds brushes.
Watch the timelapse process of this paintinf to my youtube channel.
https://youtu.be/V794zHpqisQ
hi! here are some little self portraits in a semi-lineless and more cartoony style. i'm pretty pleased! my hair at the moment is probably closest to the second from the right, but the middle head is probably my fav style to have it in. hope y'all are having a lovely day and like this little piece!
xoxo honey
