free spots only sixteen people that comment who wants it for boys and girls UmU i got this from google but who wants this for a spot UnU ill do more of these to :3 so dont worry! but im still working on the stories -w-
I have found my new love in playing with the Glass Ink Pen where I can easily achieve specific lines that are hard to make with a regular pen. Here I am working to gain confidence in my permanent line work where I can't erase every second. I am also working to gain experience in cross hatching. which is very difficult.
So if any of y’all have watched RuPaul sorry if I am spoiling it for you. It’s really great. I was told to make Appa from Avatar. Working on it @rayedrgn ! Okay so here it is! I traced just to get shapes then I colored it. Um I guess that’s it?
Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
There's a series, one of many, I've been slowly getting the motivation to work on. This character is one of a few. I'm going to working on facial expressions and then full body drawings.
I've been working on drawing My character, Florin and his dearest companions his queen and bodyguard today. They're from a northern mountainous kingdom that reveres birds especially corvids of all varieties.
I started messing about with line and wash. I really enjoyed the speed and looseness of working on this piece. In hindsight, I'm wondering if it would be worth working on a larger, more considered version as there is quite a lot of nice texture that is missing here. Pen & watercolour on watercolour paper (4x6").
He definitely served in the military, 2 tours, and is always saying things like "you workin' hard, or hardly workin'?". He drinks his cheap grandpa beer in a plain glass and puts salt in it.
I'm working on getting a service dog and set up a website, an Instagram, and a fundraiser. This comic was my quick explanation of WHY I need a dog. There's a full color version, the pencil sketch, the inked comic, and a cute sticker of Theo, my service dog.
I spent 4 days working on this drawing using nothing but my laptops trackpad. I took inspiration from drips of paint and then stretched them apart to span between where bones should be.
The eye contour area was designed that way in order for it to stretch and collapse almost the same as how muscles contract and relax.
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
