A sketch created for a small oil painting on linen. I am creating a series of brooches to celebrate the 100th anniversary of women having the right to vote.
Hector Suarez, is an artist of the Artlicity born in the Dominican Republic.
There are always winners in the art world. Most of his paintings are made in oil and acrylics paintings. His 'Kissing Giraffe Painting' has been very popular among children and is also a top-selling painting.
Hope you like it too.
This is my first holiday card of the year. I paint them and get them printed on 5x7 folded cardstock. I sell them $5 a piece of $4 a piece when you buy 2 or more. I do take online orders so let me know if you would like to purchase one.
This is my friend's Magic-User character in a Basic/Expert Dungeons & Dragons game I'm currently playing (it's the version of the game from 1981). His name is Ulemataz! In this world, he's from a country called Argos that is a combination of ancient Greece and Babylon. HIs magic missile spell is "suppose to be cone shaped objects like Bugles chips" :D
Wanted to paint something soft - something my kids might like. What is more gentle and peaceful-looking than a sleeping koala? Check out the full timelapse painting here https://youtu.be/IxmUol8dsBs
I can grow my own garden. I did this drawing in a stillman and birn alpha sketchbook with a kuretake bimoji pen (+ the posca paint pen for the background). Thank you for looking!
So this was merely a color practice with different brushes. I used marker, airbrush and paint. The hair is paint, the face, shirt, bow tie and shading was all used with marker. The airbrush was for the shiny effect on his bow tie. I have no rhyme or reason for this image, it was just something I created in my sketch book. I just needed to draw something to play around with.
It's hard to escape emotions. The normal part of life is to be braver when you're depressed. It's like the trapped pigeons. Up in the clouds, longing for freedom.
It was the first time I tried using a Fabriano 200 gsm cold pressed watercolor paper. And I had learned different techniques in watercolors through the process of creating this painting. It was also fun painting the waves. Thank you, Maria Raczynska.
A few weeks ago I was playing around with color application on the default flat brush in Procreate, and developed a sort of choppy, layered application that I really enjoyed!
My vision of the character ‘Smaug’ from J.R.R. Tolkien’s ‘The Hobbit’.
Pencil sketch, coloured digitally on IbisPaint X.
Here is a passage from The Hobbit describing Smaug’s appearance: “There he lay, a vast red-golden dragon, fast asleep; thrumming came from his jaws and nostrils, and wisps of smoke, but his fires were low in slumber. Beneath him, under all his limbs and his huge coiled tail, and about him on all sides stretching away across the unseen floors, lay countless piles of precious things, gold wrought and unwrought, gems and jewels, and silver red-stained in the ruddy light. Smaug lay, with wings folded like an immeasurable bat, turned partly on one side, so that the hobbit could see his underparts and his long pale belly crusted with gems and fragments of gold from his long lying on his costly bed.”
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
