New character! Artemis the Moon Huntress. League of legends art is always a huge inspiration for me. Also, my favorite color palette! https://www.youtube.com/watch?v=4e_0yPV0zMU
Just a small collection of my abstract stuff. They were quite fun to make. Incorporated a lot of palette knife techniques on these. Its actually pretty fun! But I could def use some polishing. Still, these were fun.
Its funny because this was my first painting and looked very different. Just a bunch of green and a little sky blue blended in that looked like nothing to me. I ultimately gave up on it but revisited it about 2-3 weeks later and turned it into a night sky with rushing water flowing through two trees into a forest. I used a palette knife for most of it which was new for me as well ^^ hope you like. Debating on touching it up a bit...
A drawing made in Adobe Draw on the iPad. One of my first attempts on a strict color palette. Normally Im in to More is better, instead of that boring Less is more.. But it is fun to control the colors for a change. As a matter of fact, change is just good, even when its not.
A person in a relaxed posture sits in a bean bag chair, grasping a drink while surrounded by the phrase "It's an only exist kind of day." The color palette is cozy, with muted greens and reds creating an atmosphere of calm contentment.
I bought a set of 3 Bic multi-color ballpoint pens, a total of 10 colors including black, and a new sketchbook. Playing around with what colors and effects are possible, I'm excited to do more stuff with these pens.
The colors didn't perfectly reproduce between the photo and JPEG compression. But I love how the upper left section is all done with the one dark blue, green, and red pen.
Drawing water with reflections was a new challenge for me.
I decided to use a less saturated color palette. It looks like a foggy atmosphere around the forest. Something different
I've started an experimental phase of my art journey. It's a challenging time for me. I try to draw and paint using different techniques, brushes, and color palettes.
I'm on the way to exploring my artistic voice.
I hope it'll be a great time to share my thought and emotions about this.
The 1st thought I can say is:
I need to be an explorer as often as possible. It allows me to look inside myself. It allows me to get to know myself better. It's very motivating.
I had an itch to do a landscape with this type of cave-to-outdoor view. I also had an itch to make something with this "orange and teal" color palette, which is very popular and use a lot in movies. And thus... voila! I made this. It was very fun and I hope you like it.
My first attempt at an abstract painting. It was the first time I tried using palette knives also. I didn't really have an idea in mind for this, I just kinda went with it. Came out pretty cool looking, almost like an abstract nebula. I used iridescent and interference Golden acrylic paints
Quick 1 hour sketch working with a limited palette for a moody, gritty atmosphere. I always like to think of the story behind a piece before I start, and this one was a reflection of where I see the world going - a dystopian world in which many parts of the city have been abandoned, taken over by urban foliage, and left to ruin as people flee.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
After completing “Moody Pumpkins” the foreground looked interesting so I removed the pumpkins modified the remaining foreground and added the trees and sky. Tree colors were selected from the foreground and other palettes.
