Sorry i have not been posting! I forgot I had a account for this page until I went to my Gmail and saw notifications from someone asking where I was...so the next few posts are art I already made this past week because I can only post one piece per day, but if you wanna see the art before I post it heres my facebook page!! https://www.facebook.com/GalaBunnyuwu (really hope the link works ;w;)
I've been getting questions about how I create my art here, so I figured I would upload some progress pieces. Here's the first one! I was listening to the Westworld season 2 soundtrack which always makes me want to draw Harvey (for some reason). I wasn't really practicing anything in particular, just doodling. It was fun to just let my hand wander, though I think the sketch was much better than the inking I did.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
This piece was heavily inspired by the amazing designs of Ian McQue and it was one of the very first test-drawings on my remarkable 2 e-Ink tablet. So I was still in the process of adapting to this new tech :)
I was assigned in art class to draw/paint/whatever something to do with reset... at first I, just like everyone else, pictured a reset button. After some thinking though, I remembered how each time my family moved from state to state, it was like I had a reset button, a fresh new start. Also, haha fun fact, the random sharpie lines were a result from listening to fast pace rock.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
This one is important to me. I had been having a very long dry spell, not making any art, and then one day last Fall, while on a road trip, camping in Mesa Verde park, I drew this using some copic grey scale brush markers and a fine liner, and it was like my vision was returning. I got really into seeing, and imagining ... Anyway since then I've still been struggling to make more work, but have been making more creative things when I do get productive, and been organizing older work... It's also interesting that I titled this piece Phase Transition back in Nov '23, and subsequently had quite a sea change of life experiences, adventure, and new visions. Now if I could just sit down and draw more...
Let me tell you a story about printing a kind of cheesy christmas card. A piece of paper to say "Merry Christmas" and "Happy Holidays". To deliver "Hugs and Kisses" you won't be able to give on Christmas in Fuck2020. To say "I miss you" and "See you soon". Linoprint using edge trim. December, 2020.
PLaying in the studio with watercolour paints and inks - created a planetarium of textural ideas - had great fun doing this and now plan to use some these effects in my next piece.
Hey everyone, sorry for such a long hiatus! The main reason is that I haven't been drawing so I had nothing to post. I also went through a name change, from BurningCinders to Umbra! For this piece, I played around with some new brushes and attempted to play with fog for the first time.
