For this piece I used acrylic paints and acrylic markers. My inspiration was my love of tattoo flash and traditional/neo-traditional tattoo designs. I grew up flipping through pages of tattoo flash catalogues and the art inside was a huge influence in my own art. Some of these pieces are my versions of popular designs and some are originals.
A value study I did with my friend for practice. Based on a D&D picture we found online. First time using different shades of markers, so it isn't the cleanest piece when looking at it up close.
"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room.
The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life.
With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.
School art. At my previous school, during lessons, I created what I call 'folder art' (doodles on school folders) This particular piece features doodles of girls, celebrating girl power
"One may stray from the path of a man, one may stray from the path of a woman, but there is no straying from the path of a Human! All friends must scatter into the sky of truth, and blossom!, Okama Way!" - Bon Clay
Tried some papercutting. I made a stencil then copied it and put over some collage. I need to work on my gluing technique and probably try out some different paper, but glad I kept the original stencil.
o, the other day, I joined Artfol. While perusing my feed, there, I came across a submission for @millydoesart ‘s DTIYS and immediately decided I had to try my hand at this. It’s such a fun piece, and right up my alley (which is great, because I have been struggling artistically lately). Anyway, here is the end result. As a bonus, this only took me 5 hours! (I spent most of the time on the folds). I had a lot of fun. Thanks to @millydoesart for giving me the opportunity to try my hand at their wonderful concept
What inspired me with this piece was an enchanted forest. The purple trees and pinkish leaves plus the somewhat colorful grass (capturing it with my camera was a little tough but its a mix of forest and deep green with some blue) and the shrooms made me think of a kind of air of mysticism and fantasy. The Elk is one of my favorite animals and I feel has a regal presence almost in it. I thought about adding more vegetation but I was afraid of adding too much. What do you think? ^^
This is a drawing I did not too long ago, I think the pink and brown were blended nicely together in the piece. I use Copic markers, Microns, gel pens, and Ohuhu markers. I really enjoyed the theme of this character, (cherry blossoms) I think I was able to show the colors nicely together in the artwork.
During this Quarantine I have had so much fun exploring what else I can create. Using this opportunity I am creating patterns & textures and trying to sell them on a few websites.
So I wanted to play with lights and shadows with this piece. (sorry I literally could not figure out how to set post it straight and I tried all I could think of, it didn's work out. Please if you have the same problem and you know how to solve it tell me, thank you).
Another inspired drawing by the national thing of the day, today is Croissant Day. Part of the sandwich bag art I started in 2008 when I began drawing on my kids sandwich bags.
My latest illustration! I recreated my character Okimoto Manami (a computer graphics piece back in 2013) in a traditional Japanese setting. She is in a traditional house overlooking a garden that has a pond, a cherry blossom tree and a flower bush. She also has Ikebana (flower arrangement) peony piece near her. Theres also peony designs on her kimono.The kind of kimono she’s wearing is a furisode.I have advanced quite a bit in the past eight years and I prefer using traditional mediums these days! Colored pencils used: Caran d’ache luminance, Posca colored pencils, Faber Castell polychromos, etc..
A striking hand-drawn conceptual illustration featuring a brain wearing a colander like a helmet, titled "Selective Ignorance." This piece explores the conscious choice to filter out the noise of the world to protect one's mental clarity and focus.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
“Revising the Future” captures the exact moment creation becomes correction. Using my own drawing hand as the model, I built this piece through a cycle of sketch, pause, observe, and refine — letting the act of drawing guide the artwork itself. The eraser actively lifts portions of the page, symbolizing the choices we adjust as we grow, the mistakes we confront, and the quiet courage it takes to reshape the path ahead.
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
