A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.
A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
This captivating drawing by Ty Patmore (2025) beautifully illustrates the final stage of a dandelion's life cycle, transforming the common weed into a subject of elegant art. The central, spent head of the flower is rendered with intricate texture, while the detached seeds are given a light, airy quality as they float away. The subtle shading and focused color on the stem provide a grounding element to the otherwise ethereal composition, making it a perfect piece for anyone who cherishes the simple, magical moments in nature.
Elias Rosenshaw 8/29/2025
Mixed media on toned tan paper.
Starting next week, I'm going back to college. I'm very excited for my courses, especially art & writing. It will be a great opportunity to explore my curiosities, improve my art skills, and grow as a person. I will share my art assignments if my instructors allow it. I would also like to write a little about each piece, which may be required for my assignments anyway.
Lately, I've been inspired by fantasy & fairytale artwork. I think fantasy & horror will make good focuses for my pre-BFA portfolio. This was a little experiment with a fairytale aesthetic. One of my goals is to use limited art supply sets & swap out colours as they run out. I feel the first colours I picked out fit with aesthetic well.
I'm proud of this drawing, especially the dress & the night sky. However, I can see some areas that I should've done differently. I'm not happy with the proportions & foreshortening of the limbs. Also, I shouldn't have used a background colour for the flowers. I added the colour to cover up a smear from the watercolour. I should avoid making large areas of solid colour, especially with my coloured pencils. I am learning & improving.
...as my daughter says. Watercolour on watercolour paper. Mixing all the greens was real fun. I enjoyed every minute of creating this piece. And, of course, the first person I showed it to, found some fault with it...
Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
I am a professional logo and graphic designer. This piece is for one of my clients at https://thebackvault.com. How will you rate this piece? It is designed for public display and banner display.
This is a pumpkin carving of the infamous Nautilus submarine, owned by the pirate captain Nemo . Who sunk ship that supported war, ramming them with his submarine. In this tale Nemo's ship gets attacked by a monstrous giant squid. I caved this design at the Chadds Ford Historical Society's Great Pumpkin Carve contest and event. This is a live carve event. Artist have no idea what kind of pumpkin they will be given to carve. No knowledge of shape, color, size, or condition. Competitors must create their design with manual hand tools. Cavers have 6 hours to create their master pieces, to be considered to qualify to be judged, to compete for the prize. The size of the average pumpkin is from 200 to 400 pounds, and their wall are about 5 inched thick. It took me 6 hours to carve my pumpkin design. Stephen J. Vattimo 10/18/2021
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I have been making a lot of thank you cards lately and I thought I’d share. Haven’t had a ton of experience with watercolor lately, but I find the best way to get back into using a medium is using it on small projects and gradually working up to bigger pieces.
I wanted to do a piece that turns an insult into something more motivational. For context, to be called a strawberry is associated with being weak and sensitive, as strawberries are soft and easily bruised.
Vibrant flowers, including a sunflower and a rose, dominate the forefront of the painting with their bright and colorful petals. Light, sketch-like strokes give the piece a playful and dynamic feel, with an array of greens creating a lively backdrop for the blooms.
I was feeling very anxious one day so I decided to look up what to do on Google. Google recommended I draw a bunch of circles. So I started drawing tiny circles, (if you zoom in you will see all of the circles!) and it turned out looking like an eye. So I added a tear :) The circles didn't help my anxiety much but hey it is an alright piece of art don't you think?
Hi! Got really inspired by the Hearthstone art and Dave Greco so I decided to practice a little bit! This fanart piece was made using an original concept art of the character by Blizzard as seen in the video. https://www.youtube.com/watch?v=bRYg3JIe5jY
Wake up your creativity!
Take a piece of paper, something to write on, and draw a few lines/circles/squiggles. Then more and more, and so on...
Let your imagination run wild.
You can create something beautiful out of nothing.
Been under the weather the past day or so and stumbled across the new Halo series. Thought I’d break out a little piece I did a couple years back in honor of this series.
This is my portrait by the best artist in the whole universe, my daughter. I'll trust all my best to post here every day the random things, my thoughts, and sketches, or even just scribbles from pieces of paper. So nice to meet you all ppl.
One of my oc's. I love her lots. I would upload 2 different pieces of her if I had the premium version of this but....ya know..... this one's for sale though! $60 usd, Cashapp only. DM me or however that works, and I can send her to your email for digital download! Payment upfront required for any and all purchases.
A pixel piece from a comic I've been working on. Pixels have always had soothing quality for me, Its time consuming but enjoyable. Inspired by some surreal dreams, I've always wondered what sort of amazing creatures remain hidden in the depths of the sea.
