Zoomed in shot of "I'll Sleep When I'm Dead". Created in 2012. Size: 22” x 30” / Micron Pens on Archival Paper. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork. 2019 kinda looked like this. It had a lot going on. Lots of changes. A close friend of mine predicted 2019 would be "The year of change", and she was right… at least up in my neck of the woods. Anyway, it has been full of good, fun and challenging things – all worth while. Excited to dive into 2020.
Another piece from my vernal pools/treescapes studies I have been working on in correlation to my interest in local creature found in our woodlands.
I adopted the use of a circle one night, wanting to frame out an idea/sketch and a wine glass happened to be close by. Since then I have used it often, loving the circle aspect.
I love the versatility of acrylic paint. You can change the consistency by adding water or acrylic mediums. These additions enable artists to create transparent glazes or thick impasto textures. The fast-drying nature of acrylics makes it easier to correct mistakes or make alterations during the painting process. This painting is part of a three piece set featuring my favorite plants painted on a soft gradient background.
Something I’ve been working on for fun, a project from illustrator Victor Beuren’s Domestika class “Search-And-Find Illustration in Procreate”. One of the rare Singapore-inspired artworks I’ve done, and I don’t think I’ve ever drawn so many human beings in one piece… but challenge accepted!!!
Mixed media artworks. Created in conjunction with each other, on a single piece of paper. As the colors of marker or watercolor bled through, so I worked with the motifs on both sides. It is no secret that i absolutely love birds and they feature so heavily in my drawing/illustrative work.
Zoomed in shot of "Pattern Interrupt". 2020. Size: 32" x 40" / Micron pens on archival museum board. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork.
I first bought some cheap soft pastels back in 2018 and did a couple of sketches. I bought a nice set of Rembrandt pastels a few months later — didn't use them. I bought some pastel pads, none if which seemed right. September 2020, I bought a couple more sets of bargain pastels and tried a couple of pieces — no good, still couldn't bring myself to use them. Jess bought me pastel pencils for Christmas — I was too scared to use them. I even bought a pad of Pastelmat which is supposed to be THE paper to use for pastel paintings in January. I was too scared to use that as well!
FINALLY, after a few unsuccessful attempts at working with watercolour (brush issues), I cast aside my fear and thought I'd mess around with pastels. Some time later, and this was the result. I've finally broken through my pastel fear-barrier.
I've got to say, I love soft pastels and I'm excited about doing more pieces in this medium.
When I moved into my first apartment, I knew I wanted to create my own wall art. So like any Potterhead artist, I binged Harry Potter movies and painted for many hours straight. This painting is part of a three piece set featuring my favorite plants painted on a soft gradient background. This 8”x10” acrylic painting is made on pre-stretched canvas.
This piece consist of 2 sheets, the bottom sheet is painted by my four year old daughter, on top of that is a orange paper which I cut the kitchenware out of.
The story behind this is that when my little sister and I were kids, we invented a game called Blammer. You duct tape small trashcans to your back and try to slam a sock ball into your opponents basket. We used tennis rackets for defense. We used to terrorize our parents with all the running and yelling in the house. We're in our 30's now and try and play when we see each other. I call her Chicken and she calls me Ducky. Which is why we're are riding birds. One of my favorite pieces I've ever done. A birthday present for her.
I think I kind of cheated by adding a bit of yellow and gray, but I do like how it turned out. I usually don't make many pieces like this, and there wasn't much of a plan going into this. It was a bit refreshing to do this.
The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink. There were a lot of components I wanted to incorporate in this piece. Then, the painting kept "going". It moved of its own accord in places I did not anticipate, and I kept going with it....people that I know/have known intertwined in my mind as I painted the tree branches. Overall, the painting took on so many meanings to me as it matured
I know there’s probably a few decent folks worth voting for come the general election here in Scotland I’ll settle on, though for the most part the loudest mouthpieces seem to just scream ‘bell-end’ to me...
I was playing around with Google Translate and various sentences I’d jotted down, and opted to go with the closest approximation from English into German for ‘I’m voting for Muppets’, which is 'Ich stimme fur Muppets'. ‘Ich stimme’ read to me as ‘itch stim’ for whatever reason (anglophone and neurodivergent here), which seems rather fitting as the thought of the worst candidates getting in is liable to have us all come out in stress rashes, am I right?
These are the results from a request to create a piece based on a fathers son's nicknames. The older brother is the moon, second the bear, third the bird. Added the stars as the parents.
His first request was of a tattoo of sorts ...but I struggled and my drawings kept turning into children illustrations. I so enjoyed the challenge and it gave me an opportunity to honor the love of family. At the same time, it was hard to associate them into a tattoo:) .
Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust
"Spaced-Out" (0.18 technical pen on 120mm x 35mm card) and "Medusa" (HB pencil on 125mm x 42mm card). Another two simple images drawn on pieces of off-cut card that make great bookmarks.
this is a little piece of my entry for a poster design contest. I've always avoided doing figurative drawing - personal or animal. so this is a big step for me. I combined marker art and a painted background, assembled in photoshop.
Umberto Eco (b. 1932)
Eco says that he is able to be productive during the brief “interstices” in the day. He told The Paris Review’s interviewer: “This morning you rang, but then you had to wait for the elevator, and several seconds elapsed before you showed up at the door. During those seconds, waiting for you, I was thinking of this new piece I’m writing. I can work in the water closet, in the train. While swimming I produce a lot of things, especially in the sea. Less so in the bathtub, but there too.”
- From Daily Rituals: How Artists Work by Mason Currey
“When men stop believing in God, it isn’t that they then believe in nothing: they believe in everything.” ― Umberto Eco
#dailyrituals #inktober #UmbertoEco @masoncurrey
