Inktober 2020, Day 13: "Dune". After pondering for a while, whether I should come up with something surprising, I decided to go with what for me is the obvious association, the sci-fi book. I based it on this illustration of a sandworm (https://dune.fandom.com/wiki/Sandworm?file=Dune-sandworm.jpg) by Nathan Rosario. It’s not meant to promote the now postponed new movie, but rather based on the books by Frank Herbert, which I loved as a teenager.
Brushpens and posca markers on coloured A4, this time with an acrylic underpainting (falling back on my painterly ways).
“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”
A little Urban Sketch of Setagaya Park, a Japanese garden with a peaceful pond, filled with koi in Vienna, Austria. I used the Derwent Line & Wash Paint Pan Set.
I captured an amazing spurr of the moment shot of a grey crane standing by a pond in one of my favorite parks. This year I decided to make a painting of the image.
I participated in a 48 hour plein air painting festival where we choose a location and have 48 to complete the painting. I chose to paint this pond with a rock waterfall on Drake University Campus
Their designs are based on a game. I pushed the avatars and made them sisters named Juno and Kimi cousins of my oc Daphne. They are still a WIP I'm pondering on the voices, hairstyles, and initial designs.
‘Anatomy of a Steelside’
A little something related to a book I’m writing, ‘Nighthammer’ – in the world of my book, various factions wage war via flying battleships known colloquially in-universe as ‘steelsides’.
These flying platforms are essentially a science-fantasy version of early/mid 20th century navies in our world. Large propellers inside funnels keep the thing flying, while huge, side-mounted paddles push the steelside, ponderously, through the skies.
I’m still figuring out some of the looks and some of the tech, but it always helps to have your own schematics!
My latest illustration! I recreated my character Okimoto Manami (a computer graphics piece back in 2013) in a traditional Japanese setting. She is in a traditional house overlooking a garden that has a pond, a cherry blossom tree and a flower bush. She also has Ikebana (flower arrangement) peony piece near her. Theres also peony designs on her kimono.The kind of kimono she’s wearing is a furisode.I have advanced quite a bit in the past eight years and I prefer using traditional mediums these days! Colored pencils used: Caran d’ache luminance, Posca colored pencils, Faber Castell polychromos, etc..
Taking this pic was challenging finding the right light for the moon and the stars pop up more imo and my frog was hard to color but I love how the lake came out with the shines from the moon and fireflies. I even took the time to paint some tall grass and reeds in the background ^^ hope you like!
still can’t believe my dad made me move to this platform (my god..,.. what do you MEAN you cant return to the next line in the description? thats even WORSE i’m already starting to despise this platform) anyways,,. this was based off of a short conversation i had with my brother where i asked him “will (name) ever like me back?” and he casually responded “no” and it killed me :( i decided to make a joke out of it because i love to kill my mental state | also please know that this is my first time drawing actual anime and this is half satire so i didn’t put much effort into the faces
Squirtle: no more no less. Actually more about it, my lighting is bad, aka the yellow tint. Also color picking is really hard, and i might have to do a bit more outlining to the piece to make it look cohesive. But overall the composition is balanced i think, even if i slacked off with the execution a bit towards the end
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This black and white ink drawing portrays an aged man with a beard lost in deep contemplation within a futuristic spaceship setting. The subtle hints of sadness on his face are contrasted against the vastness of space, where the Milky Way is barely visible in the background. The artwork evokes feelings of isolation and reflection, inviting viewers to ponder the human experience amidst the cosmos.
It may be a surprise, but I am only now reading 1st book on UFOs ( I have been mostly interested in aliens as fiction or in ttRPGs). I just learned about the Arecibo Message.
Frank Drake sent a message of 1679 bits to his fellow UFO friends and said that this was a mathematical message he wanted to send to the aliens. While not all cultures share language, we all share math.
To test if it was decode-able, he asked them to figure out what it meant with no other context. They failed.
So he sent it to more UFO friends. They failed, too.
So he put it in a decoder magazine and got exactly one correct answer from an electrician. 1679 is the product of two semi-prime numbers, which should get you to realize it’s a 23 *73 picture.
Bu needless to say if the interpretation rate was that low amongst earthlings, the hopes for alien communication seemed dim. Especially since the message will take 25K years to arrive.
But we do have C’therax and Friends’ take above – admittedly the DNA double helix (blue) does look like a butterflyish thing.
