Reference photo taken during the performance of Les Miserables. It has its darkness from the evil and misery and bright light from the hope and love as in the story. It is done with watercolors and coloredpencils.
Jung here. Done 2020 with lead pencils on 11x14 bristol. Original art is up for sale $40 (shipping fee will apply) USD email me and open for private commissions as well jungmeister4@yahoo.com Also I have my 2023 Wall calendar up for sale $19.95 with my artworks through Artwanted.com art community website. Click or copy / paste the link below and would be appreciated if you can support me on the calendar https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Calendar
I love the Blade Runner films and the new one had such awesome weird lighting that I had to draw Luv at least once. So here is the crazy psychotic android. Done with a mix of hard and soft pastel.
P. G. Wodehouse (1881–1975)
Once, when he was beginning a Wooster-Jeeves novel, he experimented with using a Dictaphone. After he had dictated the equivalent of a page, he played it back to check it over. What he heard sounded so terribly unfunny that he immediately turned off the machine and went back to his pad and pencil.
After this, according to the biographer Robert McCrum, “he might snooze a bit in his armchair, have a bath, and do some more work, before the evening cocktail (sherry for her, a lethal martini for him) at six, which they took in the sun parlour, overlooking the garden.
- From Daily Rituals: How Artists Work by Mason Currey
“He had just about enough intelligence to open his mouth when he wanted to eat, but certainly no more.”
― P.G. Wodehouse
#dailyrituals #inktober #PGWodehouse @masoncurrey
Model with Headphones Portrait Color Sketch by Oz Galeano
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Model with Headphones Drawing Sketch Study by Oz Galeano
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https://www.instagram.com/arte_ozgaleano/
Comissions:
https://www.fiverr.com/s/6WzyVL
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https://www.inprnt.com/gallery/ozgaleano/
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A pencil and watercolour study, inspired by Scott Christian Sava's "60 days of studying the masters" on Youtube. This was intimidating from start to finish, by far the most complex drawing I've ever done! It took me almost a week to get the drawing right, but the painting was done in a day. In between were many days of feeling overwhelmed, lost, and then afraid of messing it up. But I got there in the end and I think I pushed myself to a new skill and confidence level. Good thing too, I've got 58 more studies to do!
I've been practicing drawing portraits for a few days now. This is from a session I did over lunch where I was just messing around trying a few different things.
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
Herman Melville (1819–1891)
"I rise at eight—thereabouts—& go to my barn—say good-morning to the horse, & give him his breakfast. (It goes to my heart to give him a cold one, but it can’t be helped.) Then, pay a visit to my cow—cut up a pumpkin or two for her, & stand by to see her eat it—for it’s a pleasant sight to see a cow move her jaws—she does it so mildly & with such a sanctity."
- From Daily Rituals: How Artists Work by Mason Currey
“I would prefer not to.”
― Herman Melville, Bartleby the Scrivener
“A smile is the chosen vehicle of all ambiguities.”
― Herman Melville, Pierre; or, The Ambiguities
#dailyrituals #inktober #HermanMelville @masoncurrey
