I finally did it. I completed my 100 gestures Challenge. You can do a gesture in 2-3 minutes (or even faster if you are trained), so you can complete such challenge in 4-5 hours. I decided to do gesture drawing as a habit, take some extra time to select poses which I find interesting and draw on most of the days at least one gesture. I started in April and now I'm done in December, which means 7 months later. As it is now a habit I will not stop drawing gestures after the challenge, but I passed a milestone. Thanks for watching.
Not a whole lot to discuss here except that it took me FRIGGIN FOREVER to get it at least THIS accurate. It is crazy how hard your brain wants to put everything in the wrong place first and then you have to ..correct it? I don't know if I am making any sense lol.
Watch me paint this piece and talk about intuitive painting on my YouTube channel Anna Abstrakt! https://youtu.be/wSxQzjdL3Ws [acrylics and glitter glue on 30x40 cm canvas]
Starring Django Django: Marble Skies (2018). Let me tell you a story about chasing dreams and overcoming obstacles. About the recurring feeling of "rain following marble skies". About success and frustration. About fascination and mania. Tricolor linoprint using one lino plate. September, 2020.
I want to be inside the raindrop. I want know it. Feel it. Be it. Close containment. Single purpose One direction. The rush. The thrill. Careening towards the earth. Would be a death race. But the fall is the journey. The crash. The release. Is just the beginning.
Most fears are just illusions created by our brain. Our previous experiences is used to create a fake reality of what would happen if we venture into areas we are scared of
I tried to catch my breath after all the running; I finally got to the bus stop. The wind was blowing vigorously, the rain clouds were approaching. It was a very typical spring morning.
Digital painting on canvas of "Michel Onfray" in the manner of the praise of the approximation of the exhibition. This graphic and stylistic style is borrowed from the concept elaborated in the Praise of Approximation ": a painting to be reconstructed using the structure to which the perceptions are subordinated, highlighting the perceptual disturbances of perception. whose memory has been recorded in the brain of each individual.
Peinture numérique sur toile de « Michel Onfray » à la manière de l’éloge de l’approximation de l’exposition. Ce style graphique et stylistique sont emprunt au concept élaboré dans l’Éloge de l’approximation » : une peinture à reconstruire à l’aide de la structure à laquelle sont subordonnées les perceptions qui met en évidence les troubles de la perception liés à la manière dont le souvenir a été enregistré dans le cerveau de chaque individu.
