I am tired of drawing people looking at their phones, so I am replacing people's phones with random animals. Like for this cool lady, I saw at the Met Museum!
There is something about different faces.
A woman's face is her work of fiction. Got inspired by one of my friends photo and thought of putting it on paper.
Pencil on Paper.
When I read the first book of the "Outlander"-Series by Diana Gabaldon, I was really inspired by the idea of travelling in time through places like Stonhenge. This is what it looks like in my head.
Relaxed tension. Two parents at a national chess competition. Their kids squared off at the board, and so did they — one leaning back, shoe propped up, trying for calm; the other sitting stiff, watchful. The game played out in more ways than one.
To draw is to notice.
To notice is to pause.
And sometimes, all it takes is a barefoot boy in a camping chair, chasing the drips of a popsicle, to remind us what it means to be here.
This is Popsiclence—a sacred kind of focus.
It’s where observational drawing leads us: out of the swirl, into the now.
And in that now, we heal.
