As fun as it is, creating new OCS can be quite challenging especially if you don't have any names or personalities for them at all as well as not knowing what to do with them! Now then...They're called the shadow nuisances because I don't know what else to call them,they can be annoying to the peasant teenagers so,it fits.they are another race of shadow demons resembling phantoms (like Snidecious)so they're shadow phantom demons,they posses ghost like qualities too.all of them come in different sizes and shapes,they don't have noses or ears.having 5 fingers.all of them have different colored stripes in their wrists and in their ankles (I was inspired by the stripes of bees, originally they didn't have any stripes at all)they have the usual ghost abilities they can also enter dreams often causing mischief and nightmares as well as having telekinesis.like imps,they like causing trouble with people often making their lives more difficult.they don't have final forms since they can shapeshift into whatever shadow form they can think of.personalities Blue (I can't think of any actual names for them) he is mischievous,sneaky and very lazy,he likes causing trouble no matter what,he loves fun so he is active with his shenanigans with his group or with people.Purple:She is snarky and negative,she isn't a fan of fooling around,she prefers to discover what new powers she has.Orange:he is the least violent but also the most dumbest,he often questions things since he doesn't understand easily,he's also the most quietest (he likes to swallow things and then see them go through him since he doesn't have internal organs,then again in my version of hell,none of the demon OCS I create do) Pink:He is self-admiring and proud not necessarily vain,he loves his body and loves working out often kissing his own muscles which makes purple mock him for it,he loves compliments and will stop annoying a person if they flatter him.
Something I drew a while ago, when I decided to look for things around the house that I could draw, rather than from photos.
This was the first thing I did, a pair of my brown shoes on top of a stool.
There are another 3 in the series of "things around the house", which I will post at some stage in the future.
I can't believe October is already here, and it's startling how fast time is moving. I shouldn't be up this late, but I wanted to make some art, especially given how today has been (8-3:15 'in school,' 3:15-10pm doing homework). The honest answer is I just feel down. I can usually phrase things better but my brain is fried. Everything is non-stop, the time I have to breathe seems to get shorter. Anyway, it's 11pm, I should get to bed.
In the Palm of Your Hand, Pen and india ink on paper. playing around with graphic like images inspired from nature, having lots of fun and thinking wallpaper, pillows, tablecloths as well as prints might be interesting
pen, gouach and water color on paper
This has been one of the most spectacular falls I can ever remember in Paris, the golden leaves blowing gently in crisp clear blue skies really inspired me.
The angel featured here looks a little bit like she was barfed out by Tim Burton. I drew these while I was watching Westworld. (Feel free to just talk about Westworld in the comments if you'd like.)
'Queen of Marseille' I
I have discovered a few unfinished sketches from my previous travels to France from few years ago.
I decided to bring them back to life. I think before I didn't like them so much as I do now.
My first lady of Marseille saying 'Salut' and I am slowely saying 'Goodbye' to the summer...
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
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